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Archive for April, 2011

30
Apr
11

* Soul Rebels Brass Band, Honey Island Swamp Band @ Vinyl Music Hall. 04/22/11

Having toured with a diverse list of musical giants that includes the Neville Brothers, Green Day, and Bootsy Collins, the Soul Rebels Brass Band have been taking their fusion of jazz, funk, and reggae around the world. Hitting some of the globe’s biggest music festivals, the group brought their Mardi Gras party to Pensacola, Florida.

Recently winning the Best Roots Rock Artist Award at the “Best of The Beat Awards” and embarking on their Summer tour (which included both the Hangout Music Festival in Gulf Shores, Alabama and DeLuna Fest in Pensacola last year) the Honey Island Swamp Band started the night off by cooking a delicious set of New Orleans peppered roots rock for the Vinyl Music Hall crowd. Led by Chris Mule’ (guitar/vocals), Aaron Wilkinson (mandolin, guitar, vocals), Sam Price (bass, vocals), and Garland Paul (drums, vocals) the group dealt a sound that immediately made the crowd go all-in for a fun night. Just as they reached the end of their set, the members of the Soul Rebels Brass Band joined them on stage for double dose of good times.

Set to hit the New Orleans Jazz & Heritage Festival in May, the Soul Rebels Brass Band expressed their appreciation and respect for the crowd and the Honey Island Swamp Band as they exited the stage. Warmed up and ready to crank up their set, The Soul Rebels Brass Band (Lumar LeBlanc (snare drum), Derrick “Oops” Moss (bass drum/percussion), Edward Lee (tuba), Marcus “Red” Hubbard (trumpet), Julian Gosin (trumpet), Paul Robertson (Trombone), Corey Peyton (Trombone), Erion Williams (tenor saxophone) filled the venue with their Louisiana sound of funky good times. Throwing a party mix of music that melded their jam-dance compositions with unique visions of modern pop hits, The Soul Rebels Brass Band kept the crowd dancing well into the night.

-Michael L. Smith

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28
Apr
11

* Izzy Cox, Betsy Badwater & The Hillbilly Chrome @ The Handlebar. 04/21/11

According to Simone de Beauvoir, “One is not born a woman, but becomes one.” If the French philosopher could have witnessed Izzy Cox and Betsy Badwater set fire to the souls inside of The Handlebar, she would have added that a woman can also “raise some hell!” J.P. Sartre be damned.



For those inside of The Handlebar this night, there was no exit, only the release. A release and a chance to experience their world through their eyes and music. With existence comes experience (n: the conscious events that make up an individual life (v: to learn by experience) and the experience often presses onto a person knowledge that others will not know. The push/pull stories of oppression, pain, joy, love, betrayal, friendship…life wrapped in a gift that is recognized by many eyes, but few will open and even fewer willing to share.

The beauty lies in the ability to share the experience(s). The willingness to rip out your eyes, your being, all of the parts that equal a person and bare it for a world that will either mock, destroy, or embrace the(ir) (words) work. The artist’s gamble. To share. To give. To hold on. To let go. Evolving, changing and growing. In daring and in chance, Betsy Badwater and Lang Hollowman continue to grow and build on their music, never fearing to explore and experiment.

This night’s set included Joey Harrison on bass, Brian Vogal on trumpet and Jeremy King Cole on drums. When asked what else is around the corner for the hard-working group, Ms. Badwater shared her excitement, enthusiasm and the gracious reverence that is on full-display every time she hits the stage.

“We’ll be doing a hot and hard quickie set (35 minutes) to close the show at Vinyl on May 12 in support of Missouri boys, The Architects, and we’re super stoked that we also get to play with Cockfight and the reunion of American Suicide! It’s going to be a ROCK show, baby! Our next big gig will be a full 85 minute set on a package show with Chris Thomas King at Vinyl on Saturday June 25. We really hope everybody can come out. We intend to have a really powerful tight presentation, including more new songs and even richer instrumentation.”

Reflecting on to their show with Izzy Cox and Cody Ruth (who is playing upright bass for Cox on her current tour) Badwater added,

“I love Izzy Cox so much. She is a remarkably passionate musician and a sweet hearted woman. We played with that good ole Mississippi Boy Cody Ruth at Blazzues earlier in the season with our friend Ramblin’ Steve Gardner. I cant wait wait to play and visit with all three of them again. Who knows what will happen in August when Steve gets back from Japan.”

Strong like Patsy Cline, as raw as Merle Haggard/Lydia Lunch and as compellingly torn and complex as Peggy Lee/Mary J. Blige, Izzy Cox took to the stage with Ruth and proceeded to take it to the crowd. Proudly declaring herself as an “Americana outlaw steam punk artist,” Cox bathed her audience in a river of dynamic states, from loud rejoicing to quiet whispers of reflection.

At one point during her set, Cox introduced the story of serial killer Belle Gunness who inspired her song by the same name. In the middle of her story, a person in the crowd, who may have had the most innocent of intentions, began an impromptu Q and A of Ms. Cox regarding Ms. Belle. Without grandeur or disgust, Ms. Cox greeted the brief interruption with soft elegance, completely answered each inquiry and then quickly proceeded to rock apart the place. Proving that even the most raucous of spirits can have a patient and kind heart. Jump out the grave adjacent to your lover, leave his dying letters unedited and join the party. Ms. Simone de Beauvoir be blessed.

-Michael L. Smith

23
Apr
11

* Sexy Crimes, Sports Bar, Boneless Rats @ Sluggo’s Vegetarian Restaurant. + INTERVIEW W/ BONELESS RATS. 04/20/11


A year goes by fast and in the case of business, a year can exceed some venture’s lifetime; opening…closing…THE END. But on April 20th, Sluggo’s celebrated the one-year anniversary of its current location. The chapter now being written inside 101 S. Jefferson street should read as another positive addition to its history.

My memories of Sluggo’s originated with meeting friends and watching a ton of local and touring bands from the second floor of the Intendencia Street location. The reward for tackling a lifelong fear of heights and the steps to the balcony was the reward of an unobstructed view of every show I could catch.

With a short-distance move to Palafox Street came memories of the dark entrance that led to booths that seemed to reach the ceilings and swallow patrons in comfort and shadow. Fear juggling was entertained again by the narrow flight of stairs that led to a pool room and the area where the bands performed. Across the street from what used to be the J.J. Newberry’s where mom would occasionally take me on Saturday afternoons as a kid and a short walk away from Buccaneer Coin and Stamps where I used to buy baseball cards and crazy stamps, a new file of memories was created for my developing adolescence.

-The tuxedo my fianceé (at that time) ruined with her wayward cigarette during a Tuesday Martini Night.
-The night of a Mike West & Myshkin show where Mr. West taught everyone a lesson in “show etiquette” when a friend who I hadn’t seen in years and I held a reunion that got too loud with excitement that West cold-cut off his set mid-song from across the room and asked if we were done yet.
-The Digital Underground show where I produced the ticket that had been purchased immediately after they were made available, only to have the accompanying show go unseen by my eyes because I went to find my friends outside and was denied re-entry because the show was at full-capacity.

After an amazing run downtown, Sluggo’s was forced from the location and fell off the map for a few years. The creation of Terry Johnson and Nick Flynn would not be gone for long, when plans were announced for the venue to reopen on Garden Street with the inclusion of several unique ideas which included a vegetarian restaurant. The few shows I caught there ranged from a cool performance art exhibit to a show that included a friend’s band. Unfortunately, the venue disappeared again, leaving a huge hole that was difficult to fill.

Sluggo’s eventually found a new home on Cervantes street where the body of diverse shows shared life with a vegan menu. After several years and many shows at the location, Sluggo’s moved to its current home and played host to a one year anniversary show with Sports Bar (Kemper “Johnny K” Blair, Stuart “BERNIE” Holt, and Cliff “The Wizard” Boyd. Richmond, VA), Sexy Crimes (Cassady Fernandez and Joel Control. Brooklyn, NY) and local group Boneless Rats (Joe Boneless, Travis F*ck and Jesse “Jesstro” Vanderweert.)

……………………………………….Boneless Rats Interview………………………………………………………..

TCAS: In 2011, what’s in store for the Boneless Rats?

JB: Tour

TF: Release a 7”

JB: We just put out a tape two weeks ago. It’s the “First Two Years: Demo Tape.” It’s available at “Wax On The Tracks” and soon at “Revolver Records” and directly through us at bonelessrats.blogspot.com

TCAS: What is the best piece of advice you’ve ever been given?

JV: Ever been given about anything?

TCAS: Anything

JB: Oh man….

JV: “Keep it secret. Keep it safe.”

TF: I agree with Jesse.

JB: I agree with that too.

TF: That’s perfect.

TCAS: What is the best advice you could give some else?

JB: Do it yourself, no matter what.

TF: Yeah…I agree with that.

JB: Don’t worry about anyone else. Do your own thing.

JV: DIY Work ethic. Do what you gotta do for yourself.

TCAS: Anything you want to add before I add the last question? Life…Art?

JB: Have fun.

TF: Music’s awesome.

JB: Have fun.

JV: Have fun. Don’t take it too seriously. Don’t take it….fun…in between not taking it too seriously and….

JB: Serious enough.

JV:….not slacking off.

JB: Learn as much as you can about everything, but don’t take anything too seriously. Have fun.

TF: Keep it secret….keep it safe.
(laughs)

TCAS: Big serious question now. Real serious moment. Crunchy or creamy peanut butter?

TF: Crunchy.

JB: Crunchy. Extra Crunchy!

JV: Crun….

JB: Wait! No, you have to get the natural stuff. None of that hydrogenated sh*t. Straight crunchy.

JV: Straight Crunchy!

JB: Yeah! There you go.

TF: That’s what we like.

JB: You gotta throw in your ad for General Jesse’s…

JV: Also, I’m coming out with a new gin. General Jesse’s Gin. Our slogan is “It’s Generally Drinkable.” It comes in gallon, half-gallon and trash bag sizes. It’s coming out soon. General Jesse’s Gin.

TCAS: Any websites or links to buy your tapes, CDs, vinyl?

JB: Bonelessrats.blogspot.com or pinholecollapse.blogspot.com it is my show photos, photography that I do.

TF: I don’t talk much. I’m the drummer.

JB: We’re shy.

JV: We’re all shy.

TCAS: I’m socially awkward too. Thank you gentlemen.

-Michael L. Smith

19
Apr
11

* The Constellations, Deadly Fists of Kung Fu, Mr. Fahrenheit @ Vinyl Music Hall. 04/16/11

During their amusement park ride set of rock n’ soul, keyboardist Jamie Gordon stood in front of the microphone and personally thanked local band Mr. Fahrenheit for bringing back the “sexy saxophone.” Adding that, when The Constellations return to Pensacola, he wants to play with the exact same lineup that consisted of Mr. Fahrenheit and the Deadly Fists of Kung Fu.



Such was the way of a wild night that started at Vinyl Music Hall and ended up at karaoke night in a popular local bar in Pensacola, Florida. Gracing the stage as opening act were Mr. Fahrenheit. No strangers to the downtown venue, the band led by Katy Hubbard (vocals, saxophone), R.J. McKee (Guitar), Ben Minor (vocals, drums), and Robert Pennington (bass) confidently performed their set for the crowd, winning the adulation of new fans that also included the headlining group.

Following Mr. Fahrenheit were the Deadly Fists of Kung Fu. Recently opening for legendary artist Mike Watt and appearing on the local music television program The Uncharted Zone, the Deadly Fists of Kung Fu are also veterans of the Vinyl stage. Called into action to drop sonic volleys for audiences that like to rock, the band didn’t disappoint as Zac Hobbs (vocals, guitar), Andrew Bennett (drums), Jason Hurt (guitar) and Tim Bishop (filling in for Phread Touchette on bass) flew their brand of super-hero rock for the crowd.

Formed in Atlanta, Georgia and having adopted Pensacola as a “second home,” The Constellations showed the same explosive desire this night as they did during their Vinyl Music Hall debut as supporting act for Electric Six in October of 2010. Marking their fourth appearance at Vinyl, lead singer Elijah Jones has turned up the intensity dial and facial hair with every appearance on the Pensacola stage. With partners in crime, Wes Hoffman (bass), Jamie Gordon (keyboard), Trevor Birdsong, (guitar), Shane Human (drums) and Shabnam Bashiri (background vocals, synthesizer, percussion) by his side, Jones and crew are always guilty of stealing your feet and injecting everyone within earshot, a performance that they will not soon forget.

Toward the end of their set, Jones smiled at the audience and exclaimed, “I’m gonna be out there…you be sure to provide me with the things that I need. You are beautiful, we love you so much. This next song is about a girl I know so very well. I love her so much. She’s a sexy little thing. I’ve known her for a long time. Her name is Felicia.”

Twisting the crowd into “dirty” trances and quickly redeeming souls by taking us to “church,” The Constellations played well into a hot night that would have appeared to end when the band played their last song and Jones declared “Thank you, guys! I Love you. Thank you very much, you guys are awesome. Man, I love every single one of you. You all are beautiful. Come party with us, let’s party!”

With their set over, the band joined the crowd exchanging laughs and stories. Jones even came over to our group and asked us how we were doing. With the time nearing 1 am, my friends and I decided to hit Sir Richards Lounge to indulge in some late night karaoke……and that’s when it happened.

Standing next to the bar and engaged in conversation, I noticed out of the corner of my eye, a distinctive afro walking towards the front door that was swinging open. The person disappeared and I thought maybe I was just hallucinating from a long work week. But then another glance to the door produced the visual of the entire band walking into the packed bar.

With the clock now striking a few minutes past 2 am, the Constellations had decided to join in a little local fun. Hoffman and his signature afro joined Pensacola rocker Boyd Knox for a duet while Jones showed gaming skill in the pool room and Gordon entertained with a solo number on the karaoke stage that was DJ’d by Brent Condon of the local band Long Division.

The night got so wild that my glasses were knocked off while joking around with Chuck Taylor of the group Unnatural Soundz. While my friends and I searched on the floor, Gordon, showing complete coolness and humanity, stopped the conversation with his party, asked what happened and joined our search party. The glasses were eventually found unharmed by Earl Lyon of the group Earl’s Killer Squirrel to whom I offered to buy a drink, which he humbly declined.

It’s sad that a night of “sexy saxophones,” super-hero rockers, karaoke madness with friends and a surprise late night appearance by the uber-cool Constellations had to end, but as the reformed N.W.A. rapper turned domesticated entrepreneur Ice Cube used to say….today was a good day.

-MLS

The Constellations first performance at Vinyl opening for Electric Six with CockFight

The Constellations second performance at Vinyl (First as headliners). Supported by The New Collisions and Deadly Fists of Kung Fu

The Constellations third performance at Vinyl opening for Robert Randolph and the Family Band

16
Apr
11

* The DREAM Project CD Release, Five Eight, Victor Charlie, 60 Cycles of Sound @ Blazzues 04/09/11

The Dream

I had a dream of you the other night,
And in that dream everything was alright.
I dreamt that you were alive and well,
Was this dream really real? I just couldn’t tell.
We hugged and laughed and we talked for awhile,
I saw your face and your beautiful smile.
We were together just like before,
It it’s a dream and it’s real, I want to dream more.
Please don’t go yet, I have so much to say,
I want you to know before you go on your way,
Even though it’s a dream, it’s so real to me,
Your beauty is all that I can see.
Your energy feels so pure and strong,
I feel as if I don’t belong.
You radiate your light so true,
As the dream ends, I grab onto you.
I don’t want to wake for the end is near,
Your voice is all that I can hear.
I wake from my slumber, the dream is gone,
I rise to meet the early dawn.

Dedicated to Leopoldo M. Villanueva, “Jr.”
08/07/74 – 03/30/97

By Raela Marie Villanueva, big sister




The DREAM Project is a compilation CD with songs of different genres donated by musicians and artists who have all donated their time to help the University of West Florida’s Chapter of Students for Suicide Awareness (SSA) in loving memory of Tyler Knisely, a UWF student who lost his battle with depression and took his life fall semester 2008 and Jr. Villanueva, a UF student who also lost his battle and took his life spring semester 1997.

The CD begins with The DREAM, a poem written by Raela Villanueva right after her younger brother “Jr.” killed himself. Jr. only said “goodbye” to their mother before he left for Easter Sunday evening mass on March 30, 1997 and never came home again. He came to his sister in a dream, the only way he could say goodbye to her. Since then, Raela has been an advocate for suicide prevention and awareness and speaks openly about her brother’s suicide in an attempt to help save others from suffering such tragic loss.
Raela met UWF and Pensacola State College students Sabra Jernigan and Ashleigh Aaron in November 2008 via myspace through musician and friend Damien Louviere. After commencing plans for their 1st Annual Seeds of Hope music and art benefit show, Raela met guitarist Glenn Burnett at an open mic night. That week, Glenn wrote the music to her poem, and another poem called Sunset. Raela performed the DREAM song with Glenn and friends at the after party show but vowed never to sing it by herself again. Glenn then recruited singer/songwriter Tiffany Pifer, who lost her father to cancer just months before Jr. passed away. She has become the lead vocalist for The DREAM while Raela now confidently sings back up vocals. Tiffany too had a dream about her father and wrote a song called “Out of My Pain”.

All of the musicians and artists are local, regional and national artists who enjoy performing on the Gulf Coast. Musicians and artists own the rights to each song on the compilation CD and have donated their song to help The DREAM Project and SSA’s mission to raise awareness through the mediums of music and art that suicide is still the 2nd leading cause of death on college campuses and CAN BE PREVENTED. The compilation CD will list all the songs, band/musician name, website information, warning signs for suicide and depression, local and national resources for getting help, and list all sponsors involved with the project.

The CD also contains artwork – the cover is the DREAM Project logo painted by Raela on a tambourine during one of SSA’s bi-weekly “Escape” music and art therapy sessions, while the back cover is a sunset painting by Jr. from 1989 that Raela recently found while going through her parent’s house and after asking a friend to draw something up for the back cover. It was her brother’s way of blessing the project and saying, “here you go, now the project is complete, don’t give up big sister, this is part of the reason I had to leave.”

Proceeds from sales benefit SSA and their mission (the students are in the process of turning Seeds of Hope into a non-profit), producing more CD’s for the DREAM Project, and resurrection of The DREAM Foundation (which provides a scholarship fund to encourage high school students to continue with their education by attending college and live out their dreams).

Raela’s goal with The DREAM Project is to reach out to students, set up a tour for musicians to perform at college campuses across the state with the help of the Florida Suicide Prevention Coalition. Raela will continue to tell her brother’s story to help other college students who deal with depression by performing her songs, speaking openly to students in a group setting and one-to-one, and through SSA’s Survivor Art Exhibit. SSA aims to reduce the stigma that surrounds suicide and depression, reach out to other students and start other SSA chapters across the state.”

-”The Dream” poem and organization information were provided and reprinted courtesy of Raela Villanueva and The DREAM Project.

-To purchase The DREAM Project compilations CD click on this link
Related Links

- “Seeds of Hope” Five Eight, Victor Charlie and 60 Cycles of Sound

04
Apr
11

* Punch Brothers featuring Chris Thile @ Vinyl Music Hall. 04/03/11

At one point during the Punch Brothers’ performance at Vinyl Music Hall, life became surreal within one song. Performing their cover of Josh Ritter’s “Another New World,” Chris Thile’s voice echoed like a ghost whispering into an empty room, his mandolin providing the ever-quickening heartbeat as the band stepped in, supporting the spirit. As the song intensified, the crowd was rendered silent, breathless while every note grew in weight and power. Resolution was given by a soft “a cappella” verse that was joined by a subtle accompaniment that escalated into a thundering instrumental explosion sparking the once hushed audience into galvanic hand-claps and shouts that continued well past the song’s conclusion.

My first experience listening to Chris Thile came in the form of a Nickel Creek press kit that came to the office where I was employed as advertising manager of the university paper. Along with the standard press package of promo shots and bios, each kit came with the all-important CD of the artist’s music. This particular CD was produced by Alison Krauss and cleverly gave the traditional bluegrass sound a modern twist.

With Nickel Creek declaring their farewell in 2006, the musically gifted Thile continued the musical exploration that began for him as a child growing up in California. Thile started playing mandolin at a young age and won the National Mandolin Championship when he was twelve years old.

Walking his own path with the creation of the Punch Brothers in 2006, Thile’s passion for classical and bluegrass music have been on full display with support from Gabe Witcher (fiddle/violin), Noam Pikelny (banjo), Paul Kowert (bass) and Chris Eldridge (guitar).

On this night of their tour, Thile’s mastery of the mandolin combined with the highly skilled art of his band mates created a theatrical experience for the Vinyl Music Hall crowd as each song travelled a dynamic curve of stillness, tension, exposition and resolution during their dramatic compositions.

-Michael L. Smith

03
Apr
11

* The Whigs, Jonny Corndawg, Pioneers! O Pioneers, Uncle Chris @ The Handlebar. 03/29/11

As I stepped into a Tuesday night at The Handlebar, Uncle Chris (aka Jonathan Parish) was exchanging playful banter with the crowd before he kicked into his final song. The performance signaled the start of a night of music which included Pioneers, O Pioneers, Jonny Corndawg and headliners, The Whigs.




Following Uncle Chris were local trio “Pioneers, O Pioneers.” Led by the vocals of Michael Bishop (guitar), Paul Kimsal on bass and Jason Leger on drums, the local group have been playing heavily since their first show last year and, according to their facebook page, have an upcoming show on April 18 as opening act for Christian alt-rock band Cool Hand Luke.

Next on stage were the solo stylings of Jonny Corndawg. Currently residing in Nashville, Corndawg showcased a country-comedy flair that was reminiscent of the wit and innuendo-filled romps of country artists decades removed from the current pop-country landscape.

With the crowd thoroughly warmed up, the time had arrived for the “The Whigs” to fire up the venue. Commanding stages around the world and touring with artists such as Kings of Leon and The Black Keys, the Athens, Georgia trio made their way to Northwest Florida, making Pensacola a stop on this leg of their tour.

With Parker Gispert (vocals, guitar), Timothy Deaux (bass) and Julian Dorio (drums) continuing the music lineage of unique, cutting edge music that has been a trademark of the college town, The Whigs struck a hard and heavy set of songs which also included a peek at some new tunes for the Pensacola crowd.

-MLS




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