About these ads

Archive for October, 2011

27
Oct
11

* DeLuna Fest 2011 Part I. @ Pensacola Beach, Florida 10/14/11

Witness Pensacola Beach, the gorgeous glory of the gulf coast now engulfed in music. Witness the sounds and crowds of DeLuna Fest 2011. One year removed from its initial appearance on the music festival landscape, the big music festival on the beach celebrated new artists, new ambitions and even a new location.
Weezer Ladytron Stars CAKE Cold War Kids Matt & Kim
Trombone Shorty & Orleans Avenue
Yo Mama’s Big Fat Booty Band Ra Ra Riot The Revivalists The Icarus Effect

Day 1: Promoted as “America’s Original Beach Party,” the festival’s first day began with a showcase of local artists and quickly grew into a party of rock with a dance-crazy finish.

To Be Continued in Part II…Interview with Jane’s Addiction, plus photos of their headlining performance and other artists from the second day of DeLuna Fest.

Interview with Paloma & Ray Ruddy of the Icarus Effect plus links to more photo galleries from DeLuna

-Michael L. Smith

Bands Photographed on Day 1: Ladytron, Girl Talk, Weezer, Stars, CAKE, Cold War Kids, Matt & Kim, Trombone Shorty & Orleans Avenue, Yo Mama’s Big Fat Booty Band, Ra Ra Riot, The Revivalists,

About these ads
20
Oct
11

* The Vibrators, The Flying Guillotines, The Handsome Scoundrels @ The Handlebar. 10/11/11

As soon as “The Beav” strutted on stage, raised his trucker-cap covered head into the microphone to unleash heaven, hell and all things primal at the start of The Flying Guillotines set, I knew that my night was going to get a little wilder. Sometimes when you get the blues, only a hit of punk will do. A trip to The Handlebar and a rowdy trio of trios were just the cure for a day that could have previously taken a suicide swim in a fiery toilet.

On this night, The legendary Vibrators, led by lone, original member John “Eddie” Edwards came to town supported by two area bands, The Handsome Scoundrels (Mobile, Alabama) and The Flying Guillotines (Pensacola, Florida).

The last time I saw The Handsome Scoundrels, the trio (Robert Giles (vocals/guitar), Michael McAuliffe (bass/vocals) and Andy Scott (drums/vocals) were opening for The Independents as the horror-punk masters landed on their home turf at the Alabama Music Box in Mobile. Driven by old school and surf punk, the gentlemen warmed up the night for the craziness to begin.

Somewhere between The Handsome Scoundrels and “here,” life kicked into crazy/wild. As the frontman of Slowpoke Rodriguez and founder of Bangover Booking, “The Beav” made his way to the center of the stage next The Flying Guillotines frontman Jim Clark and the place blew up. This was the first time I’d seen the Pensacola trio of by Clark (vocals/guitar), Rob Mcrory (bass) and Micah Horn (drums) and their wild array of well-crafted blend of catchy, ass-moving punk, humor and…snakes…yes…Snakes. Any problems that I had from a horrible day were quickly erased thanks to The Flying Guillotines. With an upcoming show at The Handlebar’s Punk Rock Halloween Extravaganza, the group are a definite “do-not-miss” adventure.

Even with snakes taking over the stage, The Vibrators closed out the night. The latest incarnation of John “Eddie” Edwards original, British-invasion punk group led the Pensacola crowd through a non-stop journey of nearly 40-year-old catalog of punk history. Barely taking a second to breath, each song’s finish was met with the next song’s start and another wave of bodies crashing throughout the night.

- Michael L. Smith

17
Oct
11

* Cavalera Conspiracy, Otep, Earth Crisis, Parabellum @ Vinyl Music Hall + INTERVIEW W/ MAX CAVALERA. 10/07/11

“Just follow your heart. Don’t give up, no matter how hard things get. I’m living proof of that. I came out of Brazil, which was really hard to do and we were the first Brazilian band to break through. I did that all with Sepultura and then I left Sepultura and had to start all over again. And I started with Soulfly and did it all over again. You just have to believe in yourself and just keep going man. That’s the secret.” -Max Cavalera

Embarking on the U.S. dates of their world tour, Max Cavalera and his band Cavalera Conspiracy cranked up their crushing live set as headliners on the bill at Vinyl Music Hall in Pensacola, Florida that featured OTEP, Earth Crisis and the local, swamp-metal madness of Parabellum.

A week before the show, Max Cavalera took a few minutes from the studio where he is recording his next album to answer a few questions about his art, spirituality, starting from scratch, being one of the baddest motherf*ckers on the planet and more.

***Max Cavalera Interview***

TCAS: On this tour, what song on your setlist gets you off the most?
MC: I love playing the first song of the night is Warlord, which is the first song of the new record. That’s f*cking great. I love how it starts and it just prepares the whole atmosphere for the whole night. You know, it’s juck f*cking…the way it comes in, Iggor’s drums behind and it comes with the double bass and it’s just awesome. It’s so heavy and brutal. It’s really catchy. You know you’re in for a good time, right when the drums kick in. So I love that one.
TCAS: I have to say, “Warlord” and “Killing Inside” are really awesome. What inspired your writing on this album?
MC: The inspiration was from everywhere. We wanted to make a more brutal record than the first one and I think Blunt Force Trauma, it is a bit more brutal and a bit more direct. That album is also shorter, which I love about the record because it’s like 30 minutes. So you can listen to it over and over and don’t get tired of it. It’s never long enough…so it’s really killer timing and the songs are about two to three minutes. The perfect thrash songs, but in terms of lyrics and inspiration was from everywhere. From history, like Genghis Khan and Rasputin in some of the songs. Some of the other ones were different things that I’ve seen like “Torture” is about torturing prisoners and things like that and “Warlord” is about (how) we use war to control the world and sh*t like that. So it was a bunch of different things.
TCAS: I was turned onto your music back in the early 90’s by a friend from Colombia…from Bogota and with all of the strife his country was going through, he could relate to your music. With this current political climate we have, is it inspiring you? How do you see this world as it is now? What’s going on?
MC: Good music comes out of f*cked up times. It happened in Vietnam. Then in England when punk came out. Had a lot to say. So I think it’s good to have something going on that you can write about. Right now there’s a lot of things to say. There’s a lot of wrong things going on in the world right now. So there is a lot to be said. I think it’s a good time to make musical statements that you can put your opinion on. Pretty powerful time to do it and with you music you can put in a really powerful way like I did with a lot of the Sepultura Chaos A.D. Perfect example. And with Nailbomb, it was a very punk rock, political point-blank kind of statement. So you can do that with music which is great.
TCAS: What do you do on your down time when you’re on tour? How do you unwind?
MC: A lot of the time, I watch movies. I like watching movies a lot or reading books. I try reading a lot of books. I just finished a Motorhead book. I read it. It was really cool and I read Ozzy’s book. I like that one too. I read a couple of Russian books about Rasputin. That was really cool. I like to watch a lot of movies. And when I go, depending on what town, I like to go walking around and check out the town and where we’re playing. So a lot of the times I go see what they have. I go downtown. Visit what they have. If they have a museum or something nice to visit, something good to see and maybe take pictures and sh*t like that.
TCAS: We’ve got some cool museums in Pensacola where you’re playing. Actually where you’re playing is right downtown. There is a lot of cool stuff down there, so I hope you have a good time here.
MC: Cool. That sounds awesome.
TCAS: As an artist, what has been the greatest moment of your career?
MC: You know it’s hard to pick one. There’s been a lot. (brief pause of recollection and Cavalera sounds in) I think one of my most proudest was the acceptance of Soulfly when I finally realized that Soulfly was accepted. That happened in Australia right after the release of the first record, we went down to Australia to play Big Day Out. There were thousands of people. It was with Marilyn Manson and Korn were on the bill. Soulfly played really early and I was really scared. Nobody is going to be here, nobody knows this new band, but I was totally wrong. People were there. It was massive. People were chanting Soulfly after the show was done. Which to me was like “Yeah. I made it. I finally made it through. To break from Sepultura which was really hard on me. And then when I realized that Soulfly was here to stay. It was really awesome, that was a great moment in my life.
TCAS: You’ve been through so much as a person, as an artist, spiritually. What advice would you give to an artist who wants to be where you are right now?
MC: Just follow your heart. Don’t give up, no matter how hard things get, there’s always a way out. I’m living proof of that. I came out of Brazil, which was really hard to do and we were the first Brazilian band to break through. I did that all with Sepultura and then I left Sepultura and had to start all over again. And I started with Soulfly and did it all over again. You just have to believe in yourself and just keep going man. That’s the secret. And love what you do, you know. Really, really enjoy what you’re writing about and your riffs. As far as technical goal, I like to say the more you prepare yourself, the better. The more you practice, the more you write riffs, the better. The more you play cover songs are great. I did that my whole life. I still do that. I still play other people’s music. It’s a great way to know how other people write their music. And you can analyze how they write and compare to the way you write and maybe learn from that and use it on your own band. It’s a great way to develop your skills.
TCAS: Could there be some covers or surprises for the Pensacola crew coming out?
MC: We might do the Black Flag one that we did on the newest record. It’s really great. We also did Black Sabbath, so it depends on how the mood is and depends on what Igor wants to play. We can always play that. We did “Electric Funeral”, we can also do “Symptom of the Universe.” First record we did “Possessed” The Exorcist. We haven’t really played that much live. We can always try, but I’m pretty sure that we are going to do the Black Flag one.
TCAS: I have to ask you this question. When local musician Joey Wilson found out that I was interviewing you, he told me to ask you this, “How does it feel to be one of the baddest motherf*ckers ever to live?”
MC: (Silence and with the most humble and reserved tone and response) It’s cool man. I mean, I just do what I do. I love what I do and my passion for music is beyond everything. It’s really what drives me. I think of most times how to make a better record. I’m always trying to be better live and make better tours and improve myself all the time. It’s never enough. It’s always more. I’m always searching for more and that keeps me busy, which is cool. And I don’t see the fact that, but it does pass fast. It’s been almost 30 years since I started, so I’ve been doing this for a long time. But I really enjoy it. I love being in the music, making music, creating music, playing live and bring that to the fans every night. That’s what I love the most about the whole thing.
TCAS: You’ve got a day off on Halloween. Do you have any plans for Halloween?
MC: Our grandson’s birthday is on Halloween so we’re hoping we can be home for that day. Yeah, because it’s his birthday and we really would like to get together with him and maybe have a little party and cake for him and stuff. That would be really cool. So hopefully we can make it work and come home for that. We’re on tour, so we got to see.
TCAS: A lot of your lyrics have a spiritual element. I’ve read interviews were you talk about embracing spirituality. There are a lot of bands, especially a lot of metal-labeled Christian bands out there. How do you feel about that whole, huge wave. When I grew up listening to metal, there was Stryper. And that was it. How do you feel about this whole labeling.
MC: It’s cool. I’m not myself. I don’t consider myself a Christian band. I’m not really trying to preach religion on anybody. That’s not what I’m here for. I think people have got to find religion on their own and if they get it, they get it. If they don’t, they don’t. That’s just how it is. My fans are from all different areas. Some of them even like inverted crosses and shit. I respect all of that. I’m just interested in music to play the music. But I myself, I am spiritual. I dedicate the album to God. It’s always been the Soulfly records; they’re all dedicated to God because I believe that there is a purpose that God has put me here for. But it’s a different God. You don’t have to go to church to find him. He’s everywhere, everything. Not the preaching and church God, really. And it’s more like a spiritual thing. I think there is a difference between religion and spirituality. Two different things and I am myself spiritual. I don’t consider myself religious, I consider myself more spiritual person.
TCAS: I went to a hardcore private Christian school and it really turned me off on organized religion. I definitely feel what you’re saying. Are there any plans for a third Cavalera Conspiracy album?
MC: Well I’m working on a Soulfly record right now. I’m actually in the studio. I recorded a song with Dash from Devildriver yesterday and it turned out really killer. It’s called “Redemption of Man by God.” It’s really, really heavy. I think the new Soulfly is really going to blow a lot of people away. A lot of really killer songs. Some of them actually long songs like 6 minutes and really full of parts. So I’m in the studio right now creating that. That’s going to come out next year and I probably will start working on a Cavalera album sometime in middle of next year. So we should have a new Cavalera album by the end of next year.
TCAS: Can you tell us if there are going to be any special guest artists.
MC: (chuckles) It’s too early now. I haven’t thought about it yet. I’ve got to think about that. On the new Soulfly there is one song with Dash from Devildriver and one song with Adam from Oceano. One of my favorite new bands of right now. And then Tony Campos in Asesino??? We sing one song in Portuguese and Spanish and it’s about Pablo Escobar the drug cartel leader guy that was killed. So it’s really cool. So they’re a lot of cool surprises on the new Soulfly album.
TCAS: You’ve worked with a ton of amazing artists. Are there any artists you haven’t worked with, but you would love to?
MC: I would really love to do a song with James Hetfield, would have been cool or Ozzy. Or even Phil Phil Anselmo from Pantera would be really cool. I love his voice and I like all the old Pantera stuff. Like some of the “Down” stuff. And I know all these guys personally. I met all of them. They’re really cool guys and so anything is possible. Let’s just see how it goes.
TCAS: I’d love to see that happen. What is the best piece of advice you’ve ever been given?
MC: I think it came from a quote that I read and I put in a song called “Living Sacrifice.” And it was from a basketball coach, actually. And it’s a really killer quote. “Learn as if you’re going to live forever. Live as if you’re going to die tomorrow.” And I really like that. I think it’s really cool. I try to apply that to my life. So learn as much as you can. Really enjoy life and everything that’s connected to it.
TCAS: My last question for you Max. It is a crazy one, but do you prefer crunchy or creamy peanut butter.
MC: (Pause) Probably crunchy (chuckles)
TCAS: Crunchy Man!
MC: Yeah, crunchy, man. On my guitar sound too. Crunchy the best. The more crunchy, the better.

Check out Max Cavalera’s Top 5 albums of all-time.

Michael L. Smith


For additional photos from the Cavalera Conspiracy show, check out PNJ photographer Jody Link’s photo gallery.

10
Oct
11

* Toy Bombs, Paloma, Lucid Lions @ Vinyl Music Hall. 10/04/11

Born in the streets of Salt Lake City, Utah and cut by the sounds of Los Angeles, California, Toy Bombs are aiming to take over the Western Hemisphere one city at a time. The group recently dropped their indie-rock, live wire assault on Downtown Pensacola.


Opening group for the show were Lucid Lions. Featuring Tanner Hodges (one of the driving forces behind the “First Waltz” local music showcase at Vinyl Music Hall earlier this year) sharing vocals and guitar work with Brennan Barrow and Kevin Mooney joining on drums, Lucid Lions’ set provided dark edginess with subtle hints of blues and 60’s rock in their sonic brew.

Following Lucid Lions onstage were another local group, Paloma. With a full schedule that includes the release of their new CD, a performance at Georgia Tech to help promote Deluna Fest and their spot at this year’s music festival on Pensacola Beach, the members of Paloma (Aaron Finlay (drums), Giovanni Lugo (vocals/guitar), Hale Leal (bass) and Nathan Dillaha (guitar) continue to work hard and explore every untapped nuance of their unique sound and live performances.

Giovanni Lugo (vocals/guitar) expressed his thoughts on performing in a band that includes musicians that he admires both musically and personally. “I think if we’re in the right mindset, we’re confident in ourselves and confident in each other…at that point it’s a rush. The best way I can put it, it’s like four friends playing a video game at the same time. You’re going to get the very best of us at that time.”

With their recently released EP “Will Work For Free,” the men of Toy Bombs brought their Los Angeles groomed sound to Vinyl Music Hall. Originally from Salt Lake City and playing under the band name Kid Theodore, Cole Barnson (vocals, guitar) and Brandon McBride (guitar, vocals, keys) took their Utah roots and dipped them in the streets of Los Angeles forming their new creation, Toy Bombs. Using what they call a “rotating cast of masked musicians” the constantly touring duo have played on some of the most recognized music festival stages, including SXSW and the CMJ Festival.

With a set that immediately pushed the venue into maximum rock and pop status, Toy Bombs provided a non-stop rock n’ roll blitzkrieg for the downtown crowd.

Michael L. Smith

Link to additional photo gallery of the performance by PNJ photographer Jody Link

05
Oct
11

* Modern English, Deadly Fists of Kung Fu (Performing as The Exploding Boys: A Tribute to The Cure) @ Vinyl Music Hall + INTERVIEW W/ DEADLY FISTS OF KUNG FU. 09/27/11

“Morrissey must hate fat girls.” And with that observation by guitarist Jason Hurt, I was given notice as what to expect when I stepped outside to interview the men of Deadly Fists of Kung Fu on a night when they opened for 80′s British rock group Modern English.



Modern English, touring with their original lineup of Robbie Grey (vocals), Stephen Walker (keyboards), Michael Conroy (bass), Gary McDowell (guitar), and Richard Brown (drums) and with a re-recorded version of their signature 80’s hit “I Melt With You” under their belts, the British group hit the Vinyl Music Hall stage with opening act Deadly Fists of Kung Fu performing as The Exploding Boys in tribute to The Cure.

After The Cure tribute, headliners Modern English took over the Downtown Pensacola stage. Before jumping into “Hands Across the Sea”, lead singer Robbie Grey tossed of his sport coat, and announced his pleasure with the crowd and the fact that this was the first time that the original Modern English lineup has played Florida in 25 years. The crowd was more than appreciative of the band’s return, especially when the group finally pulled out their hit song that was featured in Nicholas Cage’s film “Valley Girl.

After the show, the members of Deadly Fists of Kung Fu (Phread Touchette (bass), Zac Hobbs (vocals/guitar), and Jason Hurt (guitar) stepped outside Vinyl Music Hall and into a narrow alley way to answer a few questions about tribute sets, comic books, their favorite concerts/shows of all-time, Why Jason and Alex Steward are not allowed to have mics together, James Brown “quotes” and more.

***INTERVIEW WITH DEADLY FISTS OF KUNG FU***

WARNING: IF THIS INTERVIEW WERE A MOVIE, IT WOULD RECEIVE A PG-13 RATING FOR LANGUAGE AND OCCASSIONAL VIOLENCE WITH MEN IN TIGHTS

TCAS: You’ve just finished The Cure set and you’ve been known to do a lot of crazy tributes (in the past they’ve rocked sets ranging from Prince, Tom Petty and The Cars before. (photos and article from Deadly Fists of Kung Fu The Cars tribute set at Vinyl Music Hall-oween show) How does this rank as far as tributes…
Jason: I sort of put it in the middle because it feels like we played it really well and that’s not as much fun.
Zac: In the spirit of The Cure, I’d have to say it was abysmal. (nearly evil chuckles ring from the trio)
TCAS: Did you guys consider dressing up? I know you guys have dressed up for other shows before (the band didn’t dress up on this occasion.)
Zac: We dressed up last time we did The Cure.
Phread: I had my skinny jeans in the car…I just never put them on.
Zac: My mom bought me a Siouxsie & The Banshees shirt just for this show. I’m the only 34 year old guy on earth whose mom bought…
Jason: There was thought of dressing up, but then the air-conditioning went out in my truck and so…you know…
TCAS: How did you guys get (Alex) Steward in the band?
Jason: Andy B.’s (Andrew Bennett) our regular drummer. He’s on hiatus right now, so…you know Alex is our buddy and Alex is a hoot! And Alex is about as kick ass drummer as there is on earth. So…
Zac: It’s like when that one guy on Voltron died. What was that guy? (short pause to recollect the name and then instantly) Sven!
Jason: Sven!
(The trio jump into a simultaneous outburst rivaling the most seasoned improv comedy troupes.)
Zac: Sven died and the other guy came and dropped the Blue Lion. Or Sven was the replacement guy…
Jason: No. The Princess. You’re calling Alex the Princess….
Phread: He’s a total princess.
Jason: Yes. Yes, you’re calling Alex the Princess…
Zac: He’s like the Princess of Voltron…with better hair.
Phread: He’s got the helmet.
TCAS: What do you have coming up as far as shows?
Zac: Nothing solid right now…
Phread: Well, besides that slumber party…that’s not public.
TCAS: Very private. Private Eyes Wide Shut party.
Zac: He was in Cockfight, you’re not going to freak him out.
TCAS: I’ve seen some crazy. You guys were in The Deads (formed by Eugene Swank of The Scaries and most recently The Ghostown Phantoms) so when did you guys start the Deadly Fists of Kung Fu?
Jason: It’s funny. The Deads. I f*cking loved The Deads. It was a great band, but we had that problem where nobody in it could get along. Like we all just hated each other, except for me and Zac. And the other guy we thought we got along with…after it was all over we found out…”No, I hated all of you f*cking guys.
Phread: You mean Zac?
Zac: Still is. I still hate all you f*cking guys!
Jason: But yeah, that’s how we first did a tribute set was after it was all over. It was like being in a band was a bummer for awhile so we just did this Tom Petty set to have something to do. And that was the first time Zac had ever sang and then it was like, why have you not being doing this the entire time? Why have we been putting up with singers since…you know…high school? So then we just started being a band as Deadly Fists of Kung Fu. Instead of doing Tom Petty songs, we do Tom Petty rip-offs.
TCAS: The superhero theme. I remember you guys used to have Captain America on the amps. Do you still carry on that tradition now? Is that a tradition? If you didn’t have them would you lose your powers?
Jason: You know what…we’re not as good as when we don’t have amp toys. So yeah, we definitely need…
Zac: I do get a little bit more excited when I have a man in tights to turn around and look out. Empowers me.
TCAS: So how did Phread get involved?
Zac: God, I have no idea.
Phread: I lost a bet.
Jason: We’ve had more bass players than Spinal Tap’s had drummers.
Zac: There have been like seven of them.
Jason: But Phread was the first and hopefully last of our bass players. So he is like the sandwich around the other bass players.
Phread: Delicious.
Zac: He’s also several of the meats.
TCAS: No vegetarian here, huh? How does the music come about? Do you sit around and jam?
Zac: There’s actually very little of that. We don’t jam very well.
Jason: We’ve tried to write as a group and it’s terrible. So we’re trying to write some new stuff.
TCAS: I’ve got to ask you this Jason. I know you like to banter with the crowd…
Jason: Right.
TCAS: Has it ever gotten you in trouble at a show or anything?
Jason: You know. It’s funny. We had Alex with us tonight. And one of the conditions was we couldn’t give Alex and I a microphone. And the whole time I was wondering is, “What the f*ck could he have said that’s worse than what I’ve said?” But no, I’ve never…like, surprisingly, no one has ever tried to kick my ass. I’ve never gotten kicked out of a show. There was one guy who got really pissed at one time when I said Lynyrd Skynyrd was from Alabama. But that was about it; that was the worst problem I ever had. Well the Van Zants are from Florida, but who gives a f*ck? You know! Lynyrd Skynyrd the band is from Alabama.
TCAS: What’s the best concert you’ve ever seen?
Zac: Seen?
TCAS: Ever.
Jason: My favorite show personally. I guess 2000. Me and Zac and Zac’s girlfriend were going to see J Mascis + The Fog, which was Dinosaur, Jr. not being called Dinosaur, Jr., but when Mike Watt (Photos and article from the Mike Watt show at The Handlebar with Lite and Deadly Fists of Kung Fu opening) was playing with them. And on the way there Zac and I got into a fight and I had them drop me off at my granny’s house. And had someone else pick me up and then saw the show. But it was like the best show ever because Mike Watt was playing with them and they did all of these Stooges and Black Flag covers and it was just awesome.
TCAS: And you guys made up.
Jason: And we made up, yeah!
Phread: By knocking boots.
Zac: We’re bringing it back.
TCAS: (To PT): Favorite concert?
Phread: That’s hard to say. I saw Liz Phair at the 9:30 Club in D.C. and that was pretty f*cking awesome actually.
TCAS: “F*ck and Run” (Liz Phair song).
Phread: In her time…she’s sexy.
TCAS: Zac?
Zac: I would have to go with the Afghan Whigs at The Howlin’ Wolf in New Orleans.
Phread: Oh man, that was…
Zac: Yeah, that was wonderful. I saw him (Greg Dulli frontman and architect of the Afghan Whigs) pass out on stage. Which was pretty awesome. They counted him out like it was a wrestling match.
TCAS: Did he finish the show or was that the end of it?
Zac: That was the end of the show, which was fine because he had done it for entirely too long at that point. I was one of like six people down there.
Phread: They played the Nite Owl and that was awesome.
Jason: Yeah, the Nite Owl they did that count to 36 before they started. Do you remember that? And they played “Retarded” twice because Pensacola was so retarded for “Retarded”.
TCAS: Who would you guys like to play or tour with?
Zac: Dinosaur. I’d love to play with Dinosaur Jr.
Jason: I would love to play with Dinosaur. I think right now, I’d really like to play with the Hold Steady.
Zac: Yeah. I’d like for The Replacements to do a reunion tour and us to play on it.
Jason: I would like for us to just go on tour as The Replacements.
TCAS: A lady, when you guys were playing, was screaming, “Now that’s a rock n’ roll band. No tattoos, no piercings, that’s rock n’ roll.” So none of you have piercings or tattoos?
Zac: Oh no, we have tattoos…but they’re hidden.
Jason: One of our other bass players, Scott Alvarez, he’s a tattoo artist (Alvarez’s Skin & Bones Tattoo Parlour Grand Opening w/ Kent Stanton performing). She would have hated us then.
TCAS: She loved you guys.
Zac: That’s a rock n’ roll band with tattoos. If she’d known the truth.
TCAS: What’s the best piece of advice you’ve ever been given?
Zac: Well, there’s always “Don’t pet a burning dog.”
Jason: I feel Admiral Ackbar (Star Wars Return of The Jedi) with “It’s a trap.”
Phread: Watch out for that.
Jason: I have a little devil and angel on my shoulders. The angel is Admiral Ackbar saying “It’s a trap” and the devil is James Brown saying “Smell it, taste it, stick it in your mouth.” And those are my two favorite bits of advice and I don’t know if James Brown ever said “Smell it, taste it, stick it in your mouth.” (At this point, everyone outside is rolling with laughter) But I feel like he probably did at some point.”
TCAS: Can you guys top that one?
Zac: No, no. I’m going to have to go with “Smell it, taste it, stick it in your mouth.”
Phread: Don’t roller skate in a bath tub. Bad idea.
Jason: There’s not very far to go, except down.
Phread: Which goes back to “Smell it, taste it, stick it in your mouth.”
TCAS: DC or Marvel?
Zac: Oh wow. Depends on what you’re asking.
Jason: I’m more of a DC person in that I love Superman and Batman. But I love the big overgrown cosmicness of the Jack Kirby characters like The Fantastic Four and Dr. Doom and stuff like that. So it is hard for me to say. Most of all, I just like men in tights punching each other.
Phread: That’s a good quote.
Zac: Marvel is just a little bit more circular and God, by no means are they simple. They’re just a little bit more simpler than DC. It’s a lot bit easier to grasp it. I have to go with, I’m a bigger fan of DC’s characters, but Marvel’s stories. Really they’re right there. They’re a little easier to read. And in no way are they an easy read. Their movies don’t suck nearly as bad.
Jason: That’s true. But DC’s got better cartoons.
Zac: DC does have better cartoons.
Jason: But cartoons don’t make as much money.
Phread: Man, if I had to choose, I’d go with DC, but I prefer the indie stuff. I used to like Image back in the day. Because I’m a hipster.
TCAS: Serious question. Crunchy or creamy peanut butter?
Phread: Easy. Creamy.
Zac: See, I dig the crunchy, but I can never get anyone to help me finish the jar and I’m not going to eat the whole f*cking thing. I like the crunchy, but it hurts my gums a little bit, but I think it’s worth it.
Jason: It lasts.
Zac: The crunchy? It doesn’t last as long. The creamy is a way better plan.
Phread: I’m just saying, you said…(The trio go off into another playful argument)
TCAS: Anything else you want to add before the end?
Jason: I feel like I haven’t embarrassed myself once, so I’m going to quit while I’m ahead.

-Michael L. Smith


Link to more photos from the concert by PNJ photographer Phil Bailey




About these ads

Top 10 Clicks in the last 72 hours

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 13 other followers

All content © 2010-2013 Michael Lashan Smith. Take Cover and Shoot. All Rights Reserved.


Follow

Get every new post delivered to your Inbox.

%d bloggers like this: