Archive for February, 2012

28
Feb
12

* Halestorm, Adelita’s Way, Black Tide @ Vinyl Music Hall + INTERVIEW W/ LZZY HALE 12/17/2011

On the last night of their tour in 2011, Lzzy Hale and Halestorm could have half-assed it, called it a night and made holiday preparations. But fortunately, the band created by Hale and her brother Arejay delivered what all expected as they hit Vinyl Music Hall in Pensacola, Florida. They blew the place up!

Beginning with sets by Black Tide and Adelita’s Way, the closing night of their tour proved to be an ass-kicking evening of hard rock. “We take a lot of pride in the fact that it is an unpredictable rock show.” Said Hale in our interview days before the show in Pensacola. “We have such a great time every night, and we refuse to use backing tracks or any other trickery.”

Even with one more show and 2011 nearly complete, Hale was anticipating an even busier new year. “We have a new record coming in 2012! Going to Europe in February with Shinedown! So much happening after the new year. 2012 Year of the Storm bitches!”

For the rest of the interview/feature, including Lzzy Hale’s Top Five favorite albums of all-time, check out the link to the my December 16th column in the Pensacola News Journal.

- Michael L. Smith

Link to an additional photo gallery of the concert by PNJ Photographer Jody Link

23
Feb
12

* Protest the Hero @ Vinyl Music Hall. 12/13/11

“George Lucas stole his idea from f*cking Gene Roddenberry!”Rody Walker

Do you like your metal served with a side of humor? You did if you caught Protest the Hero at Vinyl Music Hall. Jim Breuer and Brian Posehn are known for twisted cuts of metal-studded, stand-up comedy, but Protest the Hero frontman, Rody Walker laced their set with a few hits of caustic comedy that made the most hardcore of metalheads blush.

Touring in support of their third studio album Scurrilous, The group released their debut album Kezia shortly after forming in Whitby, Ontario. Joining Walker to create their sonic assault this night were Tim Millar (guitar), Luke Hoskin (guitar/piano), Arif Mirabdolbaghi (bass), and Moe Carlson (drums).

“I love Garth, but not too hot on Chris Gaines.” proclaimed Walker, who then proceeded to inform the crowd about Garth Brooks’ late 90’s alter-ego during a break between songs. Towards the end of their set, a fan bought shots for the band and Walker invited everyone to join them and check out their friends The Chariot while they played a few blocks away at The Handlebar.

- Michael L. Smith

Link to an additional photo gallery of the concert by PNJ photographer Jody Link

18
Feb
12

* Mr. Gnome, Hello Crescendo, The Spanx @ The Handlebar + INTERVIEW W/ NICOLE BARILLE 12/10/11.

“I think we eat, sleep and breathe Mr. Gnome. When we’re able to just chill out…I don’t know. Things have been so crazy. Yeah. We’re in a relationship together, so it’s that type of thing outside of just being performers together.”Nicole Barille

A week before the Mr. Gnome concert at The Handlebar with Hello Crescendo and The Spanx in Pensacola, Florida, Nicole Barille took time out to answer a few questions for a feature in the December 9, 2011 edition of the Pensacola News Journal “Music Matters” column.

In the feature, the vocalist and guitarist of Mr. Gnome talked about her love of all-things music-Nirvana and the 90’s Grunge scene, Pink Floyd, classic soul music and the record collection of husband Sam Meister’s father. The feature, which include Barille’s advice to aspiring artists and her Top Five favorite albums of all-time, can be found here (Nicole Barille Pensacola News Journal feature) and the rest of the interview follows below……..

***Nicole Barille Interview***

-Your show next week in Pensacola, Florida will be my third time seeing you perform. How would you describe a Mr. Gnome performance for that person who is about to witness your music for the very first time?
NB: How would I describe it? It’s kind of different from our perspective. I think every night we just give 110 percent. We just try to pull off what we do on the record live and sometimes in a different way just because…it’s crazy and alcohol induced.

-What is the coolest part of the Mr. Gnome experience for you?

NB: There’s two parts of the beast. Which is creating, which is what got us in doing this in the first place and what we absolutely love to do so which is writing music and making the records and getting ready for tour so just like applying that to the live setting in between two people and kind of figuring out how we’re going to do it that way and then there is the touring aspect. That’s kind of everything, but at the same time those are my favorite things. If you ask Sam, he’d probably say the creative process. I think he’s really into to taking a lot of time and doing that side of it. But touring is amazing too. We meet so many great people. We get to play with amazing bands and see the country at the same time. So it’s always a pretty incredible experience.

-You and Sam are like Road Warriors.

NB: (laughs) We tour a lot.

- I’ve got to ask you about the new CD. I’ve got it, I love it.

NB: Thanks, man.

-What were the inspirations for Madness in Miniature?

NB: A lot of people always ask that. We always say the weather. That’s such a big part of everything living in Cleveland. And we wrote the record during the winter and spring and summer in Cleveland, which, if you’ve ever been here there just totally drastically different environments and climates. That will definitely seep into your mood and your writing process. As far as music and stuff, we love psychedelic stuff, we love Otis Redding, Pink Floyd, we love like newer bands like Tame Impala, I’m usually always open to absolutely everything, we love like every different genre. I think that might always seep in our music and we’re never afraid to get heavy or really quiet. We just are attracted to whatever sounds best.

-Are there ever times where you take such a big risk and say “No, we can’t go there” or do you just go with it?

NB: The only thing that we shy away from is…if it gets too metal (laughs) if it sound a bit too evil and we notice it and we’re like ”That’s probably really evil.” That’s kind of the only thing. We really try not to limit ourselves. With our album, we probably write 20 songs and we cut down all the ones that aren’t doing it for us as much. So the genres, it kind of usually sprawls all over the place and we don’t really shy away from doing a certain genre, besides like rap/rock, I don’t think we’ll ever (we both start chuckling) but yeah I think we don’t really. We see where it’s going and it feels like it’s real then we we’ll put it on the record.

-I have to ask you, how did you and Sam meet?

NB: We met in high school. We’ve known each other for awhile.

- “House of Circles” hit me immediately as the new song that I’m looking forward to hearing live.

NB: Oh cool.

-How do you decide what you’re going to play and what you’re not going to play?

-NB: We start pretty early practicing all of the songs and having rehearsals. We start playing the record all the way through and just figuring out what was going to work on this tour and what wasn’t. It’s kind of hard because we do have three records out, so people that have been following us for a long time, I think they kind of want to hear everything. I’m excluding the EP’s because we don’t really play stuff off of those…like super old stuff. That’s kind of the weird thing with a brand new record; you don’t really know how much stuff to play off of it. You don’t want to go all brand new; you still want to play the stuff that people know if they haven’t picked up the record before the show. It’s really like whatever songs that sound the best and whichever ones you’re the most comfortable with and you feel like they’re just going to come across the best played live. “House of Circles” was quite in-depth. That one we’re definitely playing live…

- Yes!

NB: I think we nailed it the week we were about to leave. It was teetering on whether we were going to play it or not. Because it’s like six and a half minutes between two people; if we mess up, it’s going to be very obvious. You screw up every once in awhile. It’s fun.

-Not to objectify your albums, but is there one or a couple of songs that you really look forward to playing live?

NB: Sure. “House of Circles”. We worked really hard to get that where we need to play live. It’s really fun to play. It’s kind of all over the place. I’m trying to think what other newer ones…all the older stuff too. We like playing everything. It’s cool to see people come out and appreciate us playing. It’s very flattering. We kind of look at the whole show as almost a record. We try to put a whole set together that flows really well and never gets boring.

- You are featured in Rolling Stone again and have been positively reviewed by other music magazines. How do you take the reviews? Do they even register on your personal or creative radar?

NB: If you let them, it’s a bad thing. I hear from people that say “Don’t read them”, which we definitely try not to, but I think music and art in general is so up to that one person of what they’re into and if they’re not into a certain song doesn’t mean it’s bad, so that’s kind of the weird thing with reviews. It’s just one person’s opinion. The good ones are wonderful, but the bad ones are just like “Why did they say that?” (chuckles) So I think the best thing to do is just kind of ignore them. But the Rolling Stone thing was very nice and positive and we once again feel very flattered, out of like 5 million bands out there that we get the attention that they gave us.

-Speaking of art. What other artistic outlets do you have?

NB: We do all of our album covers. We do all of our t-shirts designs, do all of our videos. I went to school, did some graphic design and a bunch of art. Sam made videos before we started Mr. Gnome, so it’s pretty cool starting this project and be able to not only make the music, but also have the ability to do all the album covers and let Sam make all these videos and use all his talents in that way. It’s been really fun, it’s been cool to be able to do all that too and get better at what we’re doing while the band kind of grows up a little bit too.

-So, literally everything is in house.

NB: Sam’s mom actually makes all the costumes for our videos too. So yeah, we keep everything within the family.

-What’s been your most memorable concert as an artist and as a fan?

NB: Mmm. This is so hard. I don’t know. This last tour was pretty awesome. We played a really fun show in Portland. So maybe I’ll go with that one for right now, but we had a really fun show in Chicago as well. So I don’t know…definitely something on this tour. Around those two, I’m sorry, I’m so flip-floppy. The best show that I’ve ever seen. I saw Radiohead…I’m trying to remember what year that was…I want to say it was 2001 and that was probably one of the best shows I’ve ever seen. I also got to see Queens of the Stone Age on their very first tour at like a hundred and fifty person venue and that was really awesome too.

-When you recorded at Josh Hommes studio did he ever stop by?

NB: No, we say his wife and we met a couple of Queens’ members, but we never hung out with Josh, but we’re really good friends with their studio manager and that’s kind of our deal when we go out there and record at his place. His name is Justin (Smith) and he’s a really amazing person and a really great engineer. So that’s kind of like our guy when we go to record out there.

-Would there be a chance for an artist, say in a future Mr. Gnome project, are there any other guest artists you would be interested in working with?

NB: Yeah, man. We’re totally open to anything that would be cool. So yeah, I don’t know exactly who to name, but yeah we’re always down to jam with other people or collaborate or anything. We’ve kind of been so busy and just working on projects just between me and Sam that we’ve just kind of been in our bubble. but if the right opportunity presented itself. For sure.

-What are the differences in the relationship between Nicole and Sam in Mr. Gnome and Nicole and Sam outside of Mr. Gnome?

(pauses and chuckles) Wait, wait. There’s not much to Nicole and Sam outside because that’s all we’re doing. I think we eat, sleep and breathe Mr. Gnome. When we’re able to just chill out…I don’t know. Things have been so crazy. Yeah. We’re in a relationship together so it’s that type of thing outside of just being performers together.

- This one’s a little crazy one, but I’ll ask it…

NB: (chuckles)

- Do you prefer crunchy or creamy peanut butter?

NB: I’m definitely creamy peanut butter.

- Is Sam creamy or crunchy?

NB: I think…he likes creamy peanut butter as well (laughs) I’m pretty sure, we’ll go with creamy. Creamy all the way.

- If you could write the screenplay for the future, what would it would it be for you and Sam?

NB: Oh my God, that’s insane. (chuckles) A screenplay for the future. If it were up to Sam, it would be something with time travel. I’m just trying to…or parallel universes. And, I’ll just leave it at that.

- When the tour ends are you going back home and relaxing or are you going to record some more?

NB: We’ll go home and relax. We’re already setting up our spring tour and plus leaving South by Southwest (SXSW) to start it all off with, so it’s kind of crazy. We’re always planning three or four months in advance. It will be nice to be home for a couple of months and catch our breath, but it will definitely be a bit insane. We’ll probably start writing a little more over the winter time. It’s hard to write when you’re trying to learn a new record. Now that it’s released I think we can finally just totally relax and just start writing again and have that relaxed vibe of writing. We’re excited to just start creating again.

-Michael L. Smith

My article with photos from Mr. Gnome’s performance in December of 2010 with Hollowman/Badwater and Hello Crescendo at The Handlebar.

15
Feb
12

* Hinder, Nine Left Dead, The Icarus Effect @ Vinyl Music Hall. 12/06/11

“This last song’s about marijuana and hate-sex.” declared Hinder frontman Austin Winkler. “It’s called “Get Stoned!” I should have expected it. But even when you jump on a rollercoaster after seeing what the damn thing does, your heart still pounds while screaming for God and everything you value with life.

With songs like “Use Me” and “Up All Night”, I should have seen it coming as inhibitions fell like clothes on wedding night as Hinder partied at Vinyl Music Hall and let loose a few animals of the human kind.

With a new guitarist, local group The Icarus Effect set the train of rock in motion. Led by Scotty Houseknecht (vocals), Ray Ruddy (drums), Mike Bersabal (turntables, guitar, special fx), Cory Dull (bass) and new addition Ralph Haynes (guitar), the group have almost finished work on a studio EP.

Following The Icarus Effect were Oklahoma City rock group Nine Left Dead. With hard n’ dirty rock hooks, Travis Jones (vocals), Kreg Anthony (guitar), Nathan Parish (guitar), Jared Ellis (bass) and Bryan Whitley (drums) turned up the heat in the venue in preparation for the madness about to hit the venue.

Peripheral vision and word-of-mouth are a hell of a combination. I know what I saw inside the venue and it easily confirmed what l suspected…Hinder fans are full-on freaks that are ready to party and have a good time. The only time the party slowed down was when the group played their biggest hit.

“I’m pretty sure you know the words to this.” Said Winkler before the group launched into their rock ballad “Lips of an Angel.” As soon as the sing-along ended, the sin-along continued. Yet another wild night in the city of Pensacola.

-Michael L. Smith

Link to additional photo gallery of the concert by PNJ photographer Jody Link.

09
Feb
12

* Jucifer, Slowpoke Rodriguez, Holding God Hostage @ The Handlebar. 11/20/11

Loud: adj. marked by intensity or volume. See also JUCIFER.

Jackhammers don’t compare to the quantity of sound produced by Athens, Georgia band Jucifer. The wife and husband duo of Gazelle Amber Valentine and Edgar Livengood aren’t just loud, they’re damn amazing with a pounding quality that levels everything within sight…and sound.

Opening Jucifer’s most recent visit to The Handlebar were Holding God Hostage who occupied the floor of the club with their Ft. Walton laced metal. Led by Josh Hostage (vocals), SPIT (guitar), J. Jacobs (guitar), Bytchin Lisa (bass) and Amonra (drums) the band survived a few technical difficulties and continued to rock the place. Lookout for a new record by them very soon.

It always starts with a bang when frontman Beav Kenoyer and the rest of Slowpoke Rodriguez (Matt Boyden (guitar), Brandon McKendrick (drums) and Jeff Walton (bass) play a show. The band is also working on a record and playing as many shows as humanly possible.

Whatever the definition, loud and heavy were all covered this night.

- Michael L. Smith

03
Feb
12

* Raw Panda Records Showcase @ The Handlebar. + INTERVIEWS WITH DAMIEN LOUVIERE & SEAN PETERSON. 11/19/11

Detroit had Motown, Memphis had Stax and Sun Records, Seattle has Sub Pop, and one day Pensacola may be added to the list of cities making major contributions to music history as Raw Panda Records and their dedicated list of artists are creating noteworthy noise along the waters of the Gulf Coast.

A week before the Raw Panda Showcase at The Handlebar, Damien Louviere took time out to answer a few questions for a feature that ran in the “Music Matters” column of the Pensacola News Journal’s November 18th, 2011 edition.

***Damien Louviere Interview***

-You’ve been living full-time in New Orleans for how long now?

DL: Almost three years. Three years in April.

-How has the move influenced your life and your music?

DL: I’ve been coming to New Orleans since I was 15 years old and it always had a homey vibe and the energy was always very good to me and I’ve always loved New Orleans music and the style. When I was here, I really spent time trying to hone in on my craft of writing music, but I kind of developed my own way, not necessarily New Orleans style, but it is influenced by what I was trying to create for myself.

-I used to watch you play years ago and I saw a schedule of yours and literally you were playing almost every night.

DL: Yeah, in Pensacola I was playing almost every night. When I moved here (New Orleans), I really didn’t know anybody, so I had a gig here and there. Now I’m to four, five, six gigs here now, finally. It took awhile. I’m playing with a bunch of different writers and that’s really why I came here; for the original scene. This is what my friend, Sean Peterson my bass player, friend, engineer…He’s running Raw Panda studios which has the bands Paloma, Timberhawk, Two People Playing Music, Precubed, Jim Brown, O’ Pioneers, O’ Pioneers, all that stuff, all of that Raw Panda stuff is coming out of Pensacola. The independent studio that he’s working on right now, we’re about to do a show Friday, which is Raw Panda Presents kind of thing.

-I met Sean back when he worked at Dollarhide’s a long time ago.

DL: Yeah, Sean has been around for many moons. He’s my guru; he’s the one I look up to.

-I have to ask you this. It’s been over a year since I’ve seen you play. What can Pensacola people who haven’t seen you in awhile expect from your performance on Friday at The Handlebar?

DL: We’ve been rehearsing, there’s going to be some stuff off of the “Transect” album, our first album. We’re going to work on a couple of new things, plus a nice cover. The cover I’ve been wanting to do for years, but we never worked it up, but I figured it would be perfect for The Handlebar. So when you see me at The Handlebar, it’s going to be a lot of originals, but one cover and a lot of energy and we’re going to try to play our best.

- You’ve got a band behind you.

DL: You’ve got Brandon (Warren), Sean, and Scott George, my guitar player.

-Will you do any solo stuff or just strictly the band?

DL: This is going to be strictly the band. There is a lot of stuff that I’m writing right now that is solo stuff that we’re going to work on the album, but I figured if we have 30 to 45 minutes to do it, I figured we would just get in there and rock it out and leave. It’s going to be a good show. We’re going to have a good, dynamic show. I’m looking forward to it. Also Aubrey (Nichols) from Timberhawk, that’s what prompted the idea. He’s a part of Raw Panda as well.

-Raw Panda is getting huge.

DL: That’s what I’m saying. Sean has had this idea. We’re trying to get the talent that’s going to fit with what we’re doing. It’s not necessarily a genre. You got your rock n’ roll, you got your rock n’ blues, you got your indie-rock, all over the board. But the thing is, we all have that “thing” in common. There’s something in common with all of us and we all love each other’s stuff. It’s going to be really cool.

-How do you balance family and your art?

DL:That’s a good question. I recently had a baby two months ago.

-Congratulations. He’s adorable.

DL:Thank you. Very adorable; yes he is. It’s very time-consuming. Heather, my fiancée, helps me out by allowing me some time, if I have to sit down and I’ve got an idea. Or if I’m hanging out with my son and he’s sitting there, I’ll just play for him or sit and write something while he’s being good, obviously. So, that’s what I do. I have a lot of work, playing these gigs with these people that…Heather’s pretty much allowed. I try to spend as much time as I can with my family. I don’t go out or go see shows or anything like that. If I’m going out, it is because I’m playing. I used to go out mingle and network, but it gets really hard for me to do that now. It seems to work out because I’m still being creative. I wish I had more time, but as of right now, I have a little bit of time to be creative. It’s working out.

-What’s the best piece of advice you would give to a musician starting out?

DL: I’ve had several other musicians tell me…you’re asking for best piece? I have several different things that people have always told me. “Instead of trying to be someone else, be the best you (that) you can be. Be real.” There is always the guitar player that wants to sound like Stevie Ray Vaughn, always the drummer that wants to play as many notes as Neil Pert or whatever it is. The best advice that I’ve gotten from some really amazing musicians like my friend Tyler, Renee or any of those people who’ve gone on to do really good things. They’ve said just “Be real.” It’s YOUR fingers that are playing on that guitar. Just because you buy the same equipment does not mean you’re going to play like them. You’re not going to sound like them. You’re not going to have the same ideas. Just try to be yourself and be real. As cliché’ as that is. And “Less is more.” Always.

-If you could write the screenplay for tomorrow and beyond, what would the future hold for you?

DL: That’s a real thought provoking question. I’m kind of on the spot here. I wish I had time to think about this stuff. The future would hold for me to be financial stable enough to go out and fund tours and rehearse and write and be able to spend as much time on the creative process as I possibly can. Because, that in part, would be with my family as well. My gain to happiness would be sitting in a studio, creating and selling music. Making the mailbox money, if you will. Because, I set up for this multimedia company called Audiosocket and they only accept five percent of submissions for music and it’s a multimedia company that goes from ABC, CBS and all that stuff. And you get in their catalog and they pick one of your songs to go on a show or movie, commercial or whatever it is and they send you the check. I really actually want to be one of those writers. I would like to be in a movie, in a part that created that atmosphere for that part in that movie. I’ve always been intrigued by that since I’ve seen “The Wall.” It’s perfect; it’s music, it’s visual, it’s everything you know. I would eventually like to be scoring some movies.

-Speaking of movies. Would you rather have the Academy Award or the highest-grossing film of all time?

DL: I’d probably have to say the Academy Award. Just because it’s the highest grossing doesn’t mean that it’s good. Not to name names, but musically, a lot of people who make a lot of money, doesn’t mean that they’re good. I guess I’d rather be recognized and respected by either my peers and people I looked up to.

-The last question, the Grand Finale; do you prefer crunchy or creamy peanut butter?

DL: Crunchy.

-Why so?

DL: I just love peanuts and I love and (pauses and chuckles) I’m thinking of how to phrase this right before it turns into a big joke on me. I love the texture. Let’s go with that.

***Sean Peterson Q & A November 14, 2011***

-How would you describe Raw Panda Studios and the artists on Raw Panda and what can the audience expect Friday night at The Handlebar?

SP: Let me make the distinction between Raw Panda Studio and Raw Panda Records. They are really independent of one another, other than the name, although most of the bands associated with Raw Panda Records have recorded here.

The name was the brainchild of Aaron Finlay and Gio Lugo of Paloma, an old inside joke apparently and its stuck as a name. The ‘label’, so to speak, is really what I would call and artist collective. Using social media, e-commerce, and DIY recording techniques, we hope to do our own thing and be able to make our creative output available to whoever might find it enjoyable.

The collective is defined more by friendship and respect than musical dogma of any sort, with honesty and intention being the common thread that runs through. That being said, the show Friday night will feature Big Jim Brown, Chainsaw Kelly and Aubrey Nichols, three songwriters that explore American song styles like blues, country, hill music, r&b and rock and roll. Of course, Damien Louviere will be there as well.

Damien bridges the gap in a lot of ways between more traditional song forms and indie-rock and post-rock. I truly believe Raw Panda has some amazing musicians and songwriters among its ranks and Friday, four of my favorite singers and lyricists will be there. Can’t wait.

-Michael L. Smith

01
Feb
12

* Hank & Cupcakes, Mad Happy, Boom Chick @ Vinyl Music Hall. 11/15/11

Ending on the highest of notes, Hank & Cupcakes finished their set with a cover of Far East Movement’s “Like a G6” in a way that could only be described as “out of nowhere and beyond.” Their entire show was ear-to-ear dance magic, but their final salute was a double-dynamite finish to a night of couples to double your bubble at Vinyl Music Hall.

Brooklyn’s Boom Chick started it all as Frank Hoier (vocals/guitar) and Moselle Spiller (drums) spun an unpredictable and exciting web of rock. Highlight for me was “Shake Can Well” and Hoier’s exposition of the lyrics which are word- for-word from a can of WD-40.

Rarely do I get to witness groups like Mad Happy. While other bands fight to be cool and stay safe in genres, be it metal, punk, or whatever, this duo does whatever the hell they want. My first experience of the Mike Ill and Rivka Kilmer creation occurred in 2000-something at The Handlebar in Pensacola, Florida. On that night, some in the crowd danced for joy, quite a few ran out, while the rest stayed frozen and silent not knowing what to do. Such was the case on this night, but all that watched had a dance blast. Definitely see them perform at least once in your life.

– Michael L. Smith

Link to an additional photo gallery of the concert by PNJ photographer Phil Bailey




Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 10 other followers

All content © 2010-2012 Michael Lashan Smith. Take Cover and Shoot. All Rights Reserved.


Follow

Get every new post delivered to your Inbox.