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Archive for April, 2012

29
Apr
12

* VNV Nation @ Vinyl Music Hall. 02/19/2012

From the banter between VNV Nation frontman Ronan Harris and the crowd, it was beyond evident that we were in for a raucous time.

“By my recollection, this is our first visit to Northern Florida.” announced Harris. But before the Irish born singer could continue, a fan shouted out “Pensacola!” correcting him. “This is going to be one of those shows” smiled Harris.

Exchanging jokes and anthemic songs throughout the night, the popular electo/industrial group made a dance-inducing visit to Vinyl Music Hall as part of their North American tour in support of their latest album “Automatic.”

- Michael L. Smith

Link to an addition photo gallery of the concert by the PNJ crew

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28
Apr
12

* Col. Bruce Hampton, Brooks Hubbert @ The Handlebar. + INTERVIEW W/ COL. BRUCE HAMPTON. 02/18/2012

Across two cities, two days, one flight and a concert, Col. Bruce Hampton reflected on his career in music. One week before his return to The Handlebar to perform with Brooks Hubbert, Col. Bruce and I shared a phone conversation for an article in the Pensacola News Journal.

***Col. Bruce Hampton Interview***

MS: What is the most exciting part of the Col. Bruce Hampton experience for you?

BH: Being up on stage. Everything else is a bit of a nightmare, but to finally get onstage…

MS: Of all the shows you’ve played, what is the craziest thing you’ve ever seen at one of your shows?

Silence…and the phone call is dropped. Col. Bruce calls back and I ask the question again.

BH: Sir. You know what. Can I call you in an hour? It’s too crazy.

MS: Yes. Sure.

BH: Are you going to be here in an hour? I’ll have 30 minutes.

After the flight and concert, Col. Bruce and I agree to continue our talk the next day.

Day 2:

MS: Hello, Col. Bruce. How was your show last night?

BH: It was great. Thank you.

MS: I’m looking forward to seeing you again. It’s been awhile.

BH: Looking forward to being in Pensacola, man. It’s my favorite place. Really. I lived there for about eight years.

MS: That’s right. That’s when you had The Codetalkers right.

BH: Yeah.

MS: As a matter of fact, you gave a young man a piece of advice that changed his life. Do you remember Damien Louviere?

BH: Yes, I sure do, yes.

MS: I interview him a couple of months ago and he said the best piece of advice he got was from you. You told him that he had talent, he was a great musician, but he needed to go and starve. He did it.

BH: (chuckles) Oh my God!

MS: It really changed his life. He did it. He’s playing now in New Orleans. He loves it, he’s so thankful for the info that you gave him.

BH: He’s a talented cat. He brought out everything in me.

MS: You influencing so many people, what’s the best piece of advice you’ve ever been given?

BH: I never give or take advice too much. Probably “Eat salad with lunch” is the advice I’ve been given.(chuckles) I try never to give advice. People own their own craft. And I cannot answer for anybody. And can’t remember doing everything, I remember Damien…it’s been 10 years. Giving advice is a dangerous thing. Everybody knows what their path is. Eventually, I mean sometimes. One of the great dangerous in the world is…two of them, there is “old age” and then there’s “clarity”. And you don’t want too much of either. What advice is given me? Probably get a computer job, something of that nature.

MS: Touring, writing, what is the most exciting part of this experience for you?

BH: And you asked me that yesterday and that’s really a tough question. Obviously it’s performing and playing without a doubt. Live music, there’s nothing better.

MS: What are some of your favorite concerts? You’ve played so many.

BH: Probably the best was in 71’ we played with John Lennon and Frank Zappa. That was probably our best. And then I’ve 10 or 15 memorable ones for sure. I got to play with Hubert Sumlin, Howlin’ Wolf’s guitar player and Jonnie Johnson and he basically invented rock n’ roll. He was Chuck Berry’s piano player. That concert stands out quite a bit. I’ve been very lucky man. Got to see just about everybody I wanted to see. I got to see the Delta Blues masters back in the sixties and classical composers that were my favorites. Kings of the Bluegrass, I saw them too. You know Bill Monroe, Jeff Rowe, yeah I got to see all the great acts.

MS: Is there anybody young or currently blowing your mind now, that’s following in your tradition?

BH: Sir, I would love to say “yes”. Now when I say young, I say under 30, but there’s a gentleman AJ Ghent that is absolutely phenomenal. He’s the only one under 30 that I really like. And he’s a pedal steel player and he’s not quite on the scene quite yet, but he will be. He is absolutely tremendous. He’s as good as anybody I’ve ever heard on anything. He’s 25 and he plays like a complete master already. If you get a chance…I don’t think he’ll be known for at least two years. AJ Ghent. His dad basically invented the pedal steel. “The Sacred Steel” is what it’s called and AJ is the master. His dad’s from Gainesville, Florida his name is Aubrey Ghent. His dad is the best there ever was and his son is taking it six more steps. That’s the cat…that’s the only cat I know under 30. Please tell me, I’m off the scene pretty much. I don’t know anybody young anymore. Maybe…tell me…I don’t know anybody.

MS: The last guy that I saw that really blew me away in your style was Robert Randolph.

BH: Yeah. I know Robert. This is another world. (chuckles)

MS: What’s coming up for you in 2012? What directions are you going to go for this year?

BH: I’ve probably never changed directions in 50 years. I’ve always kept it pretty cool, man. It’s got to be coming blues, folk, jazz or country. And I like hard country, the early 60’s country. Don Gibson. To me that’s pure unique blues or bluegrass. To me it either has essence or it doesn’t. And intent too, what is the intent behind it?

MS: The digital format. Is it a positive or negative? I grew up with records and cassettes.

BH: Man, I’m a hundred and eight years old. I have no idea what it is (chuckles) I know nothing about it. I don’t know about downloads or anything. I know the record industry is gone other than that, I don’t have details.

MS: What’s the craziest thing you’ve ever seen or done at one of your performances?

BH: Well, that a good question there, sir. (pause) Just too much! Boy, I mean…the craziest thing? There’s too many of them. I’m trying to go through my file cabinet and see. Give me a second to think about it. I can’t answer that in the time being. If I get it within the next hour, I’ll call you back because there have been so many.

MS: Definitely. No problem.

BH: (almost immediately) The craziest thing I’ve ever seen was a group we were playing with called Malombo. And they had flown in from Africa and never played electric guitars and they were truly from the jungle. This was in 1971 and the guy played flute and drums and the other guy played electric guitar which he’d never touched, so they playing and it was the most absolute beautiful thing I ever heard and then the light blew out and they ran outside completely crying and scared to death. They’d never seen a light blow. That was pretty crazy. That was as pure as it gets.

- Michael L. Smith

Feb. 17 PNJ article with Col. Bruce

22
Apr
12

* The Lemonheads, Meredith Sheldon @ Vinyl Music Hall. 02/18/2012

Evan Dando didn’t say much. In fact, I don’t remember him say anything at all to start the show. He played. A man. Alone. Playing his guitar.

Cornered so far stage right, if Dando had moved any farther, the concert would have been outside on Garden Street. Fortunately, for the remainder of the show, the Boston born musician stayed inside the shelter of Vinyl Music Hall as the elements of his music were exposed. Always close to the edge in life and art, Evan Dando doesn’t need to say much. Especially onstage with songs that speak for themselves.

For me, the concert began as Meredith Sheldon was near the end of her set as I entered Vinyl Music Hall. The fellow Massachusetts musician made for a perfect selection to prep the crowd for The Lemonheads.

Evan Dando finally began. Walking on stage, alone with his acoustic guitar. And thus began the night’s journey of the “It’s A Shame About Ray” Tour.

- Michael L. Smith

Link to an additional photo gallery of the concert by the GoPensacola.com crew.

19
Apr
12

* Martin Sexton @ Vinyl Music Hall. 02/14/2012

Martin Sexton had me at “Since I’ve Been Loving You” to open his set at Vinyl Music Hall. A special pairing of Valentine’s Day and Americana rock n’ soul made for a special night in downtown Pensacola, Florida.

Following his smoky rendition of my favorite Led Zeppelin song, The New York born Sexton seduced the crowd with his music, story-telling and humor, creating a memorable evening for all.

- Michael L. Smith

18
Apr
12

* Yonder Mountain String Band @ Vinyl Music Hall. 02/15/12

When your music is hot enough to burn the devil, you don’t need an opening band to warm up the crowd. Hell, you can even play two sets with the fire of Yonder Mountain String Band on your side.

“This is ain’t your average bluegrass show folks!” declared Jeff Austin (mandolin, vocals) of Yonder Mountain String Band. The bluegrass monsters rattled Vinyl Music Hall with their rock-ready sound, jumping straight into action with no supporting act. The party was completed by Ben Kaufmann (bass), Dave Johnston (banjo), Adam Aijala (guitar) and continued well into the night as the band took only a brief break between sets.

Versatility is their calling card; even as they hold on to tradition, they blew it up with bombs of diversity. “We’re the only bluegrass band in the world who will go from def-trip to “Baby, I’ll never love another again.” Joked Kaufmann.

- Michael L. Smith

Link to an additional photo gallery of the concert by the GoPensacola.com crew

16
Apr
12

* Colour Revolt @ The Handlebar + INTERVIEW W/ JESSE COPPENBARGER AND SEAN KIRKPATRICK. 02/11/2012

“They’re an incredible underground indie-rock band, and they play to the point of being dangerous to their own lives.” – Jonathan Parish. Concert promoter for Glory Days*

Describing one of his favorite concerts, in the city where he was born, Jonathan Parish defined what makes Colour Revolt concerts so memorable.

Their set, on this night, in this town, was no different. Playing for another house full of fans, Colour Revolt finished with Simon & Garfunkel’s “Sound of Silence” as their encore.

One week before the Oxford, Mississippi band returned to the city where they have played every venue from The Handlebar, to Vinyl Music Hall and to the beaches of DeLuna Fest, Jesse Coppenbarger (vocals, guitar, keyboard) and Sean Kirkpatrick (vocals, guitar, keyboard) answered a few questions about their music, favorite albums, advice for aspiring musicians and loincloth wearing cowbell players.

The interview was conducted for an article in the Pensacola News Journal’s weekly Music Matters column. The Handlebar’s History Gets Another Splash of Colour 02/20/2012 PNJ article.

The full interview follows below.

*** COLOUR REVOLT INTERVIEW***

MS: What is the story behind the vinyl release on Feb. 7th?
Kirkpatrick: The vinyl re-release of our first EP was totally inspired by our fans. Most of them came to know us through our EP and it felt right to do this release for the one’s that have followed us from the beginning. Many people have an emotional attachment to the EP, including the band. What better way to bring in 2012 than with the re-release of what started our career!

MS: What is the craziest thing you’ve ever seen at one of your shows?
Kirkpatrick: I’m glad to report that nothing too crazy has ever happened at one of our shows, but I do seem to recall our friend Jimmy Cajoleas playing a cow bell in what was basically a loin cloth. While this was going on our friend Len Clark was eating a full watermelon on stage. I would like to say all of our shows ended like this but it’s only once in a full moon that these things happen.

MS: What keeps you going?
Coppenbarger: A lot of our friends, fans and family have been really great to us over the years and have asked us to keep going, and that they really love the music. That’s probably been the best inspiration in continuing writing and touring.

MS: What advice would you give to aspiring artists?
Coppenbarger: Do what makes you happy. If you’re passionate about something your life forms around that and the difficulties become more manageable.

MS: What are your Top Five Favorite Albums?
Coppenbarger: In no order, these are just my must haves, “Dark Night of the Soul” David Lynch/Mark Linkous/Dangermouse,”Kid A” Radiohead, Bob Dylan and The Band “Before the Flood”, “Old Ramon” Red House Painters and probably “On the Beach” by Neil young.

- Michael L. Smith

*Jonathan Parish quote. (Pensacola News Journal. Music Matters column. December 23, 2011)

10
Apr
12

* RiotGod, Slowpoke Rodriguez @ The Handlebar. 02/09/2012

Touring in support of their latest album, “Invisible Empire” and days before invading Europe, RiotGod brought their otherworldly rock sound to The Handlebar in Pensacola, Florida.

As soon as I made it inside, local group Slowpoke Rodriguez had already launched off. Usually taking the lead vocal duties, frontman Beav Kenoyer manned the drums for the entire set, while Matt Boyden (guitar) and Jeff Walton (bass) completed their stoner rock adventure. Even with the temporary change, the band still rocked. Proving that no amount of musical chairs can stop them.

The creation of Monster Magnet’s Bob Pantella (drums) and Jim Baglino (Bass) closed out the night. RiotGod record on Metalville Records and have released two albums. Joining Pantella and Baglino in their chaos of sound were Garrett Sweeny (guitar) and Sunshine (vocals).

- Michael L. Smith

04
Apr
12

* Diplo, Sleigh Bells, Liturgy @ Vinyl Music Hall. 02/06/12

Lock…Load…Target thrilled. Simply put…Diplo, Sleigh Bells and Liturgy killed. On paper, the bill for the “Paradise Tour” sounded crazy, but on stage, the madness of the evening were three sides of amazing.


A United Nations of sonic terror was unleashed as Liturgy opened the third night of the Florida tour at a sold-out Vinyl Music Hall in Pensacola, Florida. Watching the Brooklyn trio of Hunter Hunt Hendrix, Tyler Dusenbury and Bernard Gann is pure David Cronenberg. Even when your senses whisper “Don’t look”, every nerve in your body yells “Keep your eyes open until they bleed.” Curiosity in chaos, some watched with mouths open, some watched with ears covered. “Hear no evil” attempts never looked so helpless.

Enter Sleigh Bells, flying between a new album and a performance slot on Saturday Night Live, the monster creation of Alexis Krauss (vocals) and Derek Edward Miller (guitar) proved that they are worthy/capable of fulfilling the promise and anticipation created by their debut album “Treats”. With jeans shorts and Life Guard-Florida tank top, Krauss seduced and pummeled while Miller and touring guitarist Jason Boyer, provided the two-true shred guitar attack.

Crazy/insane, Diplo did as expected and the audience returned the favor. The last time I saw the Mississippi born-Philly, based DJ was at a late-night affair at the 2011 DeLuna Fest. Anticipate and always, always, always expect a wild ass/half naked party when Diplo gets his hands on turntables and a crowd. Yeah, I’d say it was a damn good Monday night.

- Michael L. Smith

Link to PNJ Entertainment Editor Julio Diaz’s interview with Sleigh Bell’s frontwoman, Alexis Krauss.

Here is an additional photo gallery from the PNJ/GoPensacola.com team




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