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Posts Tagged ‘sean peterson

13
Jun
13

* Seagull Blue CD release show @ The Handlebar + INTERVIEW W/ TAYLOR WYROSDICK 12/01/12.

“Honest rock n’ roll…All our songs have a varying array of emotions with them. They’re all very honest and they’re all about things that we all personally struggle with and deal with on a day-to-day basis.  And it’s loud. It’s loud and unapologetic.” - Taylor Wyrosdick of Seagull Blue.

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One week before Seagull Blue’s CD release show at The Handlebar, bassist Taylor Wyrosdick took a few minutes to talk about his journey in music and the friends that are responsible for  “The Brighter Side of Reckless” for my Music Matters column in the Pensacola News Journal.

MS: Seagull Blue and specifically “The Brighter Side of Reckless”, is this one artist’s vision brought to life by fellow band members or collaborative contributions from each of you.

TW: “It’s more or less a collaborative project.” Frontman Joe Napier writes the songs and while Wyrosdick (bass) and the remaining members of Seagull Blue Jeff Cranford (guitar) and Logan Phillips (drums) fill in the colors.

MS: Sean Peterson turned me on to your music. How did you hook up with him and what role has he played in your album?

TW: We did the recording with our friend Michael Bishop from Pioneers! O Pioneers! and he actually hooked us up with Sean and got us involved with the whole Raw Panda thing and Sean asked us to play a Raw Panda Showcase back in December and since then he’s been extraordinarily helpful throwing in his two cents and helping us promote and helping us book our CD release show and giving us his input on copyright and such and different marketing ideas and whatnot.

MS: He’s like a guru; I’ve known him for awhile, he’s just like this really nice, amazing guy. It’s unbelievable.

TW: Oh yeah! He’s an absolute genius. One of the most helpful people I’ve ever met.

MS: Let me ask you about the show next week; what are you looking forward to when Saturday rolls around and it’s time for the album release at The Handlebar?

TW: Well actually the show is December 1st and we played our first show together on Dec. 3rd of 2011, so it’s almost exactly a year from our first show together as a band and so that’s really exciting. I guess since May we’ve been working on this album to put our this EP and we’re just really excited to actually be able to finally show it to people and show people everything we’ve been working on. The opportunity to share that is amazing and we’re really excited about that…or at least I am.

MS: Tell me more about yourself. How did you get started in music?

TW: I started playing music probably when I was in fourth grade, many, many moons ago and started playing in local churches like worship music and I actually started out in the local music scene playing metal bands and, like a lot of people did, I got out of that when I was in high school and started focusing on mainly playing church music, like different types of worship gigs around town and that’s actually how I met everyone in the band. Me and Jeff Cranberry-he plays guitar for us-we played a college ministry for awhile and that’s how I met Joe and then me and Joe had the idea to start a band and that eventually turned into Seagull Blue.

MS: How would you describe your music for someone that has never seen or heard Seagull Blue before?

TW: Oh, goodness…honest rock n’ roll, probably.  All our songs have a varying array of emotions with them. They’re all very honest and they’re all about things that we all personally struggle with and deal with on a day-to-day basis.  And it’s loud. It’s loud and unapologetic. There’s some depth and rock n’ roll. Straight rock n’ roll influences in it. Sometimes it goes into more ambient or guess quote unquote “indie” parts, but mostly loud honest rock n’ roll.

MS:  What did you listen to when you were growing up? I know you mentioned being in metal bands, but through the years, what kind of music was being played in your household?

TW: Growing up, in my own house, my parents listened to country or whatever was on the radio, whenever I got into middle school, I started listening to stuff like Blink 182 and then I got introduced to bands like Underoath and that’s when I started listening to more and more metal and when I was in 8th grade, so I guess I was about 14, a friend of mine actually showed me Architect which was a local band around here and that completely changed the way I looked at music; bands like Architect and Twothirtyeight. “Wow! These guys are from here and they’re making incredible music that’s not like everything else that I’m listening to.

MS: Have you had a chance to work with Chris Staples at all?

TW: Not really no. We’ve had deep conversations in passing.

MS: Growing up in this area, what’s the best concert/show you’ve ever seen in Pensacola, Florida?

TW; Oh man. That’s a hard one. Actually, probably the best local…or the best concert period in this area  I’ve been to was the Twothirtyeight reunion show that they did at The Handlebar a couple of months back because I grew up with people talking about Twothirtyeight all the time. Talking about how great they were and “Oh! Too bad you didn’t get to see them” because they broke up when I was in middle school. So finally getting to see them was absolutely incredible for me and just the overall energy in the room was remarkable.

I was really upset whenever I saw that they were playing DeLuna Fest, “I can’t afford to pay that” and two days later, they’re like, “Oh, we’re playing at The Handlebar for a reunion show.” I have to go to that; I don’t care if I have to work the next day.

MS: What is the best piece of advice you’ve ever been given?

TW: “Never feel like you’ve arrived”. A guy told me that probably two or three years ago when I first started trying to be more active in the local music scene. He told me to “Never feel like you’ve arrived.” “Never feel like you’ve made it because you’re always going to find someone who’s better than you.”

MS: Creamy or Crunchy Peanut Butter?

TW: It depends on what I’m eating it with. I like creamy peanut butter on toast with a little bit of maple syrup on it and some cinnamon. But I do like toast with crunchy peanut butter and strawberry rhubarb jam.

MS: You’re making me hungry now, Taylor. That whole maple syrup thing kind of got me.

TW: That’s the best toast right there, is take two pieces of whole wheat toast, creamy peanut butter, put them together pour some syrup over it, a little bit of cinnamon.

MS: What would a Taylor of today, tell a younger Taylor just starting out?

TW: Practice bass more often and don’t try to play other instruments. Don’t let other people discourage you when it comes to music. Work hard and practice, definitely.

MS: My final question for you Taylor; is there anything else you would like the readers and music lovers in town to know about you and Seagull Blue?

TW: They are really, the people that come to shows and anyone who’s ever listened to any of our songs, or said a kind work or critical word, they’re the reason we do this. We’ve all loved people and we feel like writing all honest songs is the best way to show love to people and relate to people.

MS: That’s very well said, Taylor. Thank you.

- Michael L. Smith

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03
Feb
12

* Raw Panda Records Showcase @ The Handlebar. + INTERVIEWS WITH DAMIEN LOUVIERE & SEAN PETERSON. 11/19/11

Detroit had Motown, Memphis had Stax and Sun Records, Seattle has Sub Pop, and one day Pensacola may be added to the list of cities making major contributions to music history as Raw Panda Records and their dedicated list of artists are creating noteworthy noise along the waters of the Gulf Coast.

A week before the Raw Panda Showcase at The Handlebar, Damien Louviere took time out to answer a few questions for a feature that ran in the “Music Matters” column of the Pensacola News Journal’s November 18th, 2011 edition.

***Damien Louviere Interview***

-You’ve been living full-time in New Orleans for how long now?

DL: Almost three years. Three years in April.

-How has the move influenced your life and your music?

DL: I’ve been coming to New Orleans since I was 15 years old and it always had a homey vibe and the energy was always very good to me and I’ve always loved New Orleans music and the style. When I was here, I really spent time trying to hone in on my craft of writing music, but I kind of developed my own way, not necessarily New Orleans style, but it is influenced by what I was trying to create for myself.

-I used to watch you play years ago and I saw a schedule of yours and literally you were playing almost every night.

DL: Yeah, in Pensacola I was playing almost every night. When I moved here (New Orleans), I really didn’t know anybody, so I had a gig here and there. Now I’m to four, five, six gigs here now, finally. It took awhile. I’m playing with a bunch of different writers and that’s really why I came here; for the original scene. This is what my friend, Sean Peterson my bass player, friend, engineer…He’s running Raw Panda studios which has the bands Paloma, Timberhawk, Two People Playing Music, Precubed, Jim Brown, O’ Pioneers, O’ Pioneers, all that stuff, all of that Raw Panda stuff is coming out of Pensacola. The independent studio that he’s working on right now, we’re about to do a show Friday, which is Raw Panda Presents kind of thing.

-I met Sean back when he worked at Dollarhide’s a long time ago.

DL: Yeah, Sean has been around for many moons. He’s my guru; he’s the one I look up to.

-I have to ask you this. It’s been over a year since I’ve seen you play. What can Pensacola people who haven’t seen you in awhile expect from your performance on Friday at The Handlebar?

DL: We’ve been rehearsing, there’s going to be some stuff off of the “Transect” album, our first album. We’re going to work on a couple of new things, plus a nice cover. The cover I’ve been wanting to do for years, but we never worked it up, but I figured it would be perfect for The Handlebar. So when you see me at The Handlebar, it’s going to be a lot of originals, but one cover and a lot of energy and we’re going to try to play our best.

- You’ve got a band behind you.

DL: You’ve got Brandon (Warren), Sean, and Scott George, my guitar player.

-Will you do any solo stuff or just strictly the band?

DL: This is going to be strictly the band. There is a lot of stuff that I’m writing right now that is solo stuff that we’re going to work on the album, but I figured if we have 30 to 45 minutes to do it, I figured we would just get in there and rock it out and leave. It’s going to be a good show. We’re going to have a good, dynamic show. I’m looking forward to it. Also Aubrey (Nichols) from Timberhawk, that’s what prompted the idea. He’s a part of Raw Panda as well.

-Raw Panda is getting huge.

DL: That’s what I’m saying. Sean has had this idea. We’re trying to get the talent that’s going to fit with what we’re doing. It’s not necessarily a genre. You got your rock n’ roll, you got your rock n’ blues, you got your indie-rock, all over the board. But the thing is, we all have that “thing” in common. There’s something in common with all of us and we all love each other’s stuff. It’s going to be really cool.

-How do you balance family and your art?

DL:That’s a good question. I recently had a baby two months ago.

-Congratulations. He’s adorable.

DL:Thank you. Very adorable; yes he is. It’s very time-consuming. Heather, my fiancée, helps me out by allowing me some time, if I have to sit down and I’ve got an idea. Or if I’m hanging out with my son and he’s sitting there, I’ll just play for him or sit and write something while he’s being good, obviously. So, that’s what I do. I have a lot of work, playing these gigs with these people that…Heather’s pretty much allowed. I try to spend as much time as I can with my family. I don’t go out or go see shows or anything like that. If I’m going out, it is because I’m playing. I used to go out mingle and network, but it gets really hard for me to do that now. It seems to work out because I’m still being creative. I wish I had more time, but as of right now, I have a little bit of time to be creative. It’s working out.

-What’s the best piece of advice you would give to a musician starting out?

DL: I’ve had several other musicians tell me…you’re asking for best piece? I have several different things that people have always told me. “Instead of trying to be someone else, be the best you (that) you can be. Be real.” There is always the guitar player that wants to sound like Stevie Ray Vaughn, always the drummer that wants to play as many notes as Neil Pert or whatever it is. The best advice that I’ve gotten from some really amazing musicians like my friend Tyler, Renee or any of those people who’ve gone on to do really good things. They’ve said just “Be real.” It’s YOUR fingers that are playing on that guitar. Just because you buy the same equipment does not mean you’re going to play like them. You’re not going to sound like them. You’re not going to have the same ideas. Just try to be yourself and be real. As cliché’ as that is. And “Less is more.” Always.

-If you could write the screenplay for tomorrow and beyond, what would the future hold for you?

DL: That’s a real thought provoking question. I’m kind of on the spot here. I wish I had time to think about this stuff. The future would hold for me to be financial stable enough to go out and fund tours and rehearse and write and be able to spend as much time on the creative process as I possibly can. Because, that in part, would be with my family as well. My gain to happiness would be sitting in a studio, creating and selling music. Making the mailbox money, if you will. Because, I set up for this multimedia company called Audiosocket and they only accept five percent of submissions for music and it’s a multimedia company that goes from ABC, CBS and all that stuff. And you get in their catalog and they pick one of your songs to go on a show or movie, commercial or whatever it is and they send you the check. I really actually want to be one of those writers. I would like to be in a movie, in a part that created that atmosphere for that part in that movie. I’ve always been intrigued by that since I’ve seen “The Wall.” It’s perfect; it’s music, it’s visual, it’s everything you know. I would eventually like to be scoring some movies.

-Speaking of movies. Would you rather have the Academy Award or the highest-grossing film of all time?

DL: I’d probably have to say the Academy Award. Just because it’s the highest grossing doesn’t mean that it’s good. Not to name names, but musically, a lot of people who make a lot of money, doesn’t mean that they’re good. I guess I’d rather be recognized and respected by either my peers and people I looked up to.

-The last question, the Grand Finale; do you prefer crunchy or creamy peanut butter?

DL: Crunchy.

-Why so?

DL: I just love peanuts and I love and (pauses and chuckles) I’m thinking of how to phrase this right before it turns into a big joke on me. I love the texture. Let’s go with that.

***Sean Peterson Q & A November 14, 2011***

-How would you describe Raw Panda Studios and the artists on Raw Panda and what can the audience expect Friday night at The Handlebar?

SP: Let me make the distinction between Raw Panda Studio and Raw Panda Records. They are really independent of one another, other than the name, although most of the bands associated with Raw Panda Records have recorded here.

The name was the brainchild of Aaron Finlay and Gio Lugo of Paloma, an old inside joke apparently and its stuck as a name. The ‘label’, so to speak, is really what I would call and artist collective. Using social media, e-commerce, and DIY recording techniques, we hope to do our own thing and be able to make our creative output available to whoever might find it enjoyable.

The collective is defined more by friendship and respect than musical dogma of any sort, with honesty and intention being the common thread that runs through. That being said, the show Friday night will feature Big Jim Brown, Chainsaw Kelly and Aubrey Nichols, three songwriters that explore American song styles like blues, country, hill music, r&b and rock and roll. Of course, Damien Louviere will be there as well.

Damien bridges the gap in a lot of ways between more traditional song forms and indie-rock and post-rock. I truly believe Raw Panda has some amazing musicians and songwriters among its ranks and Friday, four of my favorite singers and lyricists will be there. Can’t wait.

-Michael L. Smith

02
Sep
10

“G.S.D., FELLOW PROJECT, IMAGINARY AIRSHOW, & WILL GIBSON” show @ SLUGGOS. PENSACOLA, FL. 08/28/10

This year, Deadbroke Rekerds’ recording artists, Fellow Project and Go Sell Drugs (Brooklyn) embarked on a Summer tour of the East Coast which landed them firmly on stage at Sluggo’s Vegetarian Restaurant sharing a bill with Will Gibson and Imaginary Airshow.

The first act of the night was Will Gibson, a local musician, who set up the night with a mellow acoustic set highlighted by a song he wrote for his mother.

Following on stage, were the rhythmic pulses of Fellow Project from Long Island, New York. Ryan (drums) and Tia’s (bass) driving rhythm section gets the balls of your feet locked and jumpin’, while Joe’s catchy single note phrases latch onto your brain and compels you to ping-ping your head around like the silver balls in the pinball machines I used to play as a kid. Ryan and Tia (married to each other) have a crazy musical chemistry onstage with his energy almost exploding to surface while she wields her bass (that is literally almost as tall as her) like a toothpick during their set. I only wish their set was longer.

Now, if you sat down on my couch and I told you to close your eyes and visualize true working class hardrock or punk, I bet you the boys of Go Sell Drugs would jump in your skull and burn a hole in your occipital cortex.  GSD from Brooklyn, New York are for real. Lead singer and guitarist, Tony has all of the presence of tortured Social Distortion frontman, Mike Ness with the fire grilled vocals of Henry Rollins. Bassist, I-man and I talked about Wisconsin, Brett Favre, the high cost of living in New York, being hungry and life in general. Drummer, John even offered me his beer. One show away from the end of their summer tour and they are energized about life, their music and giving. This realness and ability to connect with people and the society surrounding us translates heavily in their music and show. Raw like demons trapped in hell for centuries, they don’t try to pummel you outright, they have fun with the music, but there is always evident. the subtext and venom scratching at the skin. With song titles like “Sorry the feds broke up your Indian Summer” and “Where have all the East Villagers gone” you better come prepared for some energy at this show.

Closing out the night, were Imaginary Airshow (Pensacola, Fl.). Piloted by several of the area’s hardest working musicians, this band knows how to invest all they have into their performance and connect musically with their audience. And when I say “connect” I don’t mean in the pop punk, hip hop way of call and response banter between audience and artist. If Imaginary Airshow were a lover, they’d be the girl that wasn’t needy and was so emotionally stable that she didn’t need your feedback for validation. She’s going to “do what she do” with or without you. Watching the band was almost a voyeuristic pleasure; craftsman in the dark, wearing black and their only occupation consisting of their tools and the energy they are creating.

The vocal lighthouse on this journey is Todd Vilardi whose moments of “breaking the fourth wall” are brief exchanges not to people in the audience, but the entire crowd as a collective listener/watcher. These short messages and moments are breathing while the lyrics take a break from dancing during the show. The weight of Todd’s communication is made more powerful by the focused intent of fellow musicians Gio Lugo (bass), Aaron Finlay (guitar), Brandon Warren (drums) and Sean Peterson (keyboard) Their quiet devotion to the music they play is matched only by the intensity by which they execute it.

And ALL of this for only a $5 cover! Bargain, indeed.

Drink of the night: Bottled Water




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