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Posts Tagged ‘vinyl music hall

23
May
13

* Lagwagon, Plow United, It Starts Today @ Vinyl Music Hall + INTERVIEWS W/ JOEY CAPE & EARL LYON 10/28/2012.

“That’s my favorite tour story and I never tell it. I never felt comfortable telling it really until recently. So I’m really glad that we’re coming back there. I’ve got lots of good stories about Pensacola because we basically lived there for a couple of days after that.

I was excited that this interview was with someone in Pensacola because one of my favorite memories from Lagwagon touring happened in Pensacola; we actually broke up onstage at a gig at Sluggo’s. “

– Joey Cape of Lagwagon

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I don’t know how long Joey Cape had been keeping it in.

I don’t know when he made peace with it all, but Cape talked about the band’s onstage fight at Sluggo’s, his drummer’s addiction, and the days he spent in Pensacola while Derrick Plourde was in detox.

Earl’s Killer Squirrel frontman Earl Lyon witnessed the fight and also gave his account for my Pensacola News Journal “Music Matters” column “Lagwagon back in town that nearly spelled its end”   before the show at Vinyl Music Hall.

The full interviews with Cape and Lyon follow bellow.

Joey Cape Interview

MS: With all of the touring with Lagwagon, your solo work, and new band, what’s the most exciting thing for you?

JC: It’s always been just the creative side of things. I much prefer working on new music and the recording process. That’s always, for me, been the most rewarding part of the gig.

MS: What’s the craziest thing you’ve seen at one of your shows?

JC: (Silence) Well, it’s a funny thing you bring that up, actually because I was excited that this interview was with someone in Pensacola because one of my favorite memories from Lagwagon touring happened in Pensacola; we actually broke up onstage at a gig at Sluggo’s.

MS: Wow.

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JC: Back in 95. It was insane. It was just insane. It makes that Billy Joe thing-freaking out on TV or whatever, that Radiofest-makes that look totally weak. (Laughs) The only difference is back when we did it, there weren’t smart phones and the internet wasn’t in everybody’s hands. I’ve wished forever and ever that somebody got it on film because I would love to see it but no one did. Because, when you really think about it, it’s funny.

Basically what it was, was that, the drummer that toured with the band was really…he was having a real hard time…he was a drug addict. He was getting worse and worse on tour and we were…the tension in the band, in other places as well, was getting heavier and heavier and everybody’s come to terms with this stuff now, we’re all at peace with it. There were many, many good years after that when Derrick (Plourde) was fine and we’re all friends, so I’m not saying anything that’s going to cause anybody grief, but it was bad. Derrick was a mess, he couldn’t stay awake on the stage. People in the band…we hated each other. (Laughs). I’ll never forget, we’re onstage at Sluggo’s and our drummer just nodded out and then Shawn Dewey our rhythm guitar player, he started yelling at somebody in the audience for running into the microphone and hurting his face, he was bleeding or something. And I start yelling at him, I start saying, “Well, I don’t care what he says. We don’t agree with him.” to the audience and then we started into it and then our other guitar player-you got to remember, these guys are giants. Like Shawn Dewey is like 6’7” and Chris Flippin, other guitar player, who came to my rescue there and they started fighting, he’s 6’9”, almost 6’`10”, he’s 6’9 and three quarters, so the two of them start fighting, and they’re fist-fighting onstage.

Our stage-tech guy pulls the kick drum out from in front of Derrick onto the ground and Derrick falls in the middle of the stage and starts kicking him and calling him an f’n you know what like, “You’re ruining this band.” (Laughs) I know it’s not funny at all, but it was so…it was so surreal when I look back on it now. And Jesse (Buglione) bass player, he’s kind of standing there cross-legged with a cigarette smoking really awkwardly, looking at me and I looked at him and I just kind of made this face like “Oh, well!” because that’s it! And Jesse nods to the right and I look over and there’s this crowd; like a full Sluggo’s room of kids with their mouths going “Oh my god. What am I watching?”

That’s my favorite tour story and I never tell it. I never felt comfortable telling it really until recently. So I’m really glad that we’re coming back there. I’ve got lots of good stories about Pensacola because we basically lived there for a couple of days after that. Me, Brian and Steve was our stage guy, our one roadie; we had one roadie back in those days and so he’s part of our team. He and I stayed there while Derrick went to a detox facility in Pensacola. We got to know the locals pretty good. It’s a cool town. I haven’t been there in many years, so I don’t know.

MS: Did you go to the beach when you were here?

JC: I don’t remember going to the beach in Pensacola, Florida. I remember going out every night, late, going to clubs and hanging out with a couple people that we knew a little bit. I kinda knew that guy Gus (Brandt), who ended up working with the Foo Fighters. You know, it was like weird. It was more like a David Lynch movie back in 95’ to me being an unlocal. It was like this guy that had a cab that wasn’t a cab and he called it Ramen Cab and you gave him Top Ramen, he would drive you anywhere. I don’t know if you ever heard of that. And…uh…yes, so we would just stock up on top ramen and give it to the ramen cab guy and he’d drive us around to these bars and hang out with the local punk kids. It was just super fun. We were having a great time while our buddy was trying to…you know, it was for the better of course. I remember going to the beach in Florida towns on the east coast on the other side.

MS: Glad you guys are coming back to Pensacola. Just you saying Sluggo’s, I remember those memories of old shows back then.

JC: The other thing was the Nite Owl.

MS: Oh,the Nite Owl. That closed down back in 2000 something. I saw my first show there in the late 80’s. That was an awesome club too. The Handlebar is still around in Pensacola.

JC: Oh yeah! I remember that place. Cool. Yeah. I’m sure we’ll go out. We’re not a band that shies away from hanging out after the shows (Laughs). We pretty much go out every night and-to our detriment, I’m sure. We like to have a good time. I’m going out in Pensacola for sure. Provided that I’m not sick, you know what I mean. Which is the only thing that keeps me from going out is if I get sick. I don’t think that’s going to happen. That’s great. I’m looking forward to seeing you, It’s been a long time. Like I said, we spent a few days there so I kind of feel like I got to know the place a bit. It was so long ago.

MS: The box set came out last year, what Lagwagon songs get you off the most when you’re playing them live?

JC: It’s cool because we’re playing songs from the first five records. There are some songs in the set that we really haven’t played much since the early, early days and those are ones. They feel new and they feel refreshed and sometimes that effects the other songs in the set that are old as well that we have been playing for years because when everything is in the same setting that old feeling that the band had, that vibe, somehow it kind of elevates everything to a little bit higher intensity. I can’t really figure it out, but I know some of those songs…well, if you…there’s a song called “Lazy” that’s a song on our second record, and we didn’t play that song for so many years and I think that was mostly my fault…it’s a really hard and high song to sing, super intense; kind of a voice killer, but I think that I finally got my shit together. I’ve finally gotten strong enough now to do those songs, so that’s really cool. Just anytime you’re doing something you haven’t done in a long time, it feels fresh and good.

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MS: What would Joey of today tell a younger Joey just starting out?

JC: I would say, “Remember that band that you had that sounded kind of like Nirvana before Nirvana existed? Maybe you should’ve rolled with those dudes.” (Laughs) That’s only for my daughter’s sake. Yeah, I don’t know. I’m pretty happy with the way we’ve done things. We’ve been pretty true to ourselves and self-indulgent the whole way. I don’t know that we’ve ever really made any decisions that weren’t serving our immediate needs. That sounds weird, but that’s the way to do it. When people start planning and calculating for success and those kinds of things, you can make a lot of bad decisions in music and in general in the business of music. And we’ve stuck with the same label the whole time; we didn’t really promote ourselves in a way that put us into a different perspective to those that like the band. I don’t know. I don’t have a lot of advice. Maybe drink less.

MS: As far as advice, since you mentioned it; what’s the best advice you’ve ever been given?

JC: Oh, boy. It’s usually me giving the great advice out here (Laughs). Boy, that’s a really tough question. I mean, I’ve been given lots of great advice by people. I don’t even remember who, but somebody must have told me sooner or later, somewhere along the line really early on, that the best thing to do is to “Just be yourself when you play shows.” Because-and maybe I just figured this out, but I’m sure somebody said it to me somewhere along the line as well. This is good advice, “If you can figure out a way to do something that embodies entertaining people and completely maintain your own personality without creating any kind of alter-ego or…there’s a way to do it where you just literally walk around being the same person you are offstage, you can have a much better run and a much better time and it’s never going to get weird.

MS: This is a crazy one; do you prefer crunchy or creamy peanut butter?

JC: Oh man, that’s a really tough one…well it depends. I mean, you know, my initial reaction was crunchy because it’s more exciting (Laughs)…but, I mean, I would say…I’m going to go with creamy because-first of all, creamy is just an awesome word. For some reason, all I can think of right now is peanut butter on celery and I think that smooth is better on the celery.

MS: That’s true. You’re making me hungry Joey.

JC: You’re making me hungry, man. I haven’t eaten yet today. I got to get a peanut butter sandwich somewhere.

MS: You guys are in New England tonight, where?

JC: We’re in Massachusetts…we’re playing Boston tomorrow night and we’re just in a parking lot somewhere in Massachusetts with the day off. Literally in a dirt, parking lot parked nowhere near anything. It’s not going to be a very fun day, but the Smoking Popes are playing in Boston tonight and the word is we can get a shower from a hotel nearby the airport, then we can take the Blue Line downtown to Cambridge and we can see the Smoking Popes. We’re probably going to stay in the bus and watch the Chappelle Show. (laughs)

MS: This is my last question for you. Is there anything else you’d like to add for the fans coming out to Vinyl Music Hall in Pensacola?

JC: I hope they show up. It’s been a long time. I don’t know what that means; I don’t know if we have any. I hope there’s a lot of them. I don’t know what night of the week it is, but I would always say the same thing, man, “Just come on out and have a good time with us cause’ we’re fun.”  Introduce yourself when you get a chance.

Earl Lyon (Earl’s Killer Squirrel) Interview

MS: What do you remember? First of all, why were you there?

EL: I worked there at Sluggo’s back in…the one on Palafox and Intendencia; the three story one and one night, Lagwagon’s playing, everything’s going fine and in the middle of the show, they cut the set short because, obviously, some people were out of it and couldn’t perform. And the next thing you know, people are leaving and they had a big fistfight between the two guitarists.

MS: Did you see the fistfight?

EL: I was in the dressing room cleaning up while they were fighting right there on the side.

MS: Where you shocked or did you see it coming?

EL: I wasn’t really shocked, but for seeing Lagwagon for, that was like my fourth of fifth time seeing them and they seemed tight and you didn’t think anything like that would happen, but obviously, there was a breaking point, you know.

MS: Hell yeah. Is there anything you want to add? Are you going to the show next week?

EL: Oh yeah. I’m going. I love Lagwagon. They replaced those two members, the drummer and the guitarist after that and moved along and kind of really got kind of-I wouldn’t say emo-, but he really started thinking out his music when Lagwagon got back together and started their fourth album “Double Plaidinum”. It was really thought out after that. You could tell that everything that happened that night affected him.  

Michael L. Smith

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20
May
13

* Man or Astroman?, The Octopus Project @ Vinyl Music Hall.10/27/12

Man or Astroman? were the first surf/rock punk band I ever saw. They were also the last band I ever watched at the old Sluggo’s on Intendencia Street.

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Leaning on the the second-story railing watching the floor and a stage crammed with TV’s and spacesuits, I experienced sensory overload when the Alabama group started their show.

Nearly a full drinking age would pass until I saw them again when they played Vinyl Music Hall. Austin electronic group The Octopus Project opened the show with their own visual/sonic treats.

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Led by Brian Causey (Star Crunch/guitar), Brian Tesley (Birdstuff/drums), Robert DelBueno (Coco/bass) and Samantha Erin Paulsen (Avona Nova/guitar) MOAM rocked sleeker suits and the same multi-sensory assault of surf punk rock.

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DelBueno teased the Vinyl crowd with promises of a theremin duel between both bands. The promise was kept at the end of the show with TOP’s Yvonne Lambert winning the contest.

- Michael L. Smith

Here is a link to additional show photos taken exclusively for GoPensacola.com/Pensacola News Journal.

25
Apr
13

* Cursive, Elyse Therose, Pioneers! O Pioneers! @ Vinyl Music Hall + INTERVIEW W/ TIM KASHER 10/20/2012

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It’s all about momentum for Tim Kasher. Through books, through music, the Cursive frontman is constantly moving.

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One week before Cursive’s show at Vinyl Music Hall with Elyse Therose and Pioneers! O Pioneers!, Kasher talked about their mini-tour, music, politics, favorite authors and more.

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Here is a link to the Pensacola News Journal “Music Matters: Live concert crowd connection thrills musicians.”

The full interview follows below.

Tim Kasher Interview

MS: My goddaughter is a big Cursive fan. Weird coincidence, but she is a sophomore attending the University of Nebraska (Kasher’s home state), graduated high school from Springfield, Missouri, where you are playing next week, and she was born in Pensacola, Florida where you guys are playing a few days after the Springfield show.

TK: It’s fairly sensible that we get as many first show starts before Gainesville and our set up in Omaha , so that’s just kind of weird that we’re playing Springfield and Pensacola on the way.

MS: How is the tour with Minus the Bear going?

TK: It’s great. They’re just great and they’re old friends of ours. It’s time well spent, very positive.

MS: What’s the craziest thing you’ve seen on this tour?

TK: The craziest thing…huge new restaurant that was across the street from the Best Buy Theater we played in Times Square in Manhattan. Kind of joking that we’d seen Guy Fieri’s huge new American Roadhouse restaurant across from the Best Buy Theater, we played in Manhattan in Times Square.

MS: What gets you off the most about playing live?

TK: Mostly when you can…what I’m after the most when I’m playing, there’s a momentum that you can build where you and the crowd are building together and you’re able to keep that momentum and build it into a great show, but it’s not always easy to do. It’s great, but you have to get off stage and you really feel like you did something that night.

MS: Let me ask you about politics. As powerful as “Happy Hollow” was when you released it, it really is resonating now. How is the 2012 political climate influencing your art or your songwriting now?

TK: I don’t know that it is so much; I’m kind of just impatiently waiting to get through it. In a lot of ways it just seems like we’re, as we get older, we get used to the political process and you recognize that it’s just a lot of posturing, going through a lot of similar motions that we’re familiar with at this point. For the most part, I feel like the political climate is terribly…last week was upsetting (first Presidential debate between President Obama and Republican Presidential candidate Mitt Romney) but I don’t think  it’s going to, any way, ultimately shape the outcome. In my opinion, the only true negative politician out there right now is Paul Ryan. I’m not a fan of Romney, but I also don’t think he means much harm.

MS: “I am Gemini” came out in February, are you guys working on a new album?

TK: No. We’ve been pretty steadily touring that album since it came out. Usually after a Cursive album comes out we turn to other projects. Ted (Stevens) is working on a solo record.

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MS: Are there any artists that you haven’t worked with that you’d love to work with?

TK: Oh yeah. Sure. I’m sure the list is bountiful. I don’t know…like David Bowie.

MS: What kind of music was playing in the Kasher household when you were a kid?

TK: It was pretty good. I guess I grew up-to be young is a lot of fun-a lot of older brothers and sisters listening to Michael Jackson and the Go-Go’s.

MS: What is the best advice you’ve ever been given?

TK: Well, you know, I’ve been offered advice a lot about (the) music industry…I see a lot of bands that have this one-and-done attitude with albums where if it doesn’t catch on then, they break up. I think we’ve all seen that’s just not the way it works. There’s always bands out there where their debut album is a big smashing success and that’s great for them, but it’s not the case for most artists. You got to want to be in the business and get like a 15 year plan. Put your own money into it; you know you’re not going to get it back and get out on the road, play out in front of people.

MS: What other creative outlets do you have, aside from music?

TK: I write quite a bit. When I’m not writing songs, I also write short stories.

MS: Who are some of your favorite writers?

TK: I’m a big fan of Philip Roth.

MS: What would Tim Kasher of today tell a younger Tim who is just starting out?

TK: I don’t know, I guess I would…probably just… “Don’t make such hasty decisions.”

MS: Do you prefer crunchy or creamy peanut butter?

TK: Crunchy. A lot better.

MS: Is there anything you’d like to add for the fans that are coming out to Pensacola, Florida next week?

TK: Just that we’re playing a lot of pretty complete mix of the catalog.

- Michael L. Smith

17
Apr
13

* Melvins Lite @ Vinyl Music Hall + INTERVIEWS W/ BUZZ OSBORNE & KEVIN BURKETT. 10/15/2012

Friday October 5th, 2012. 9:59 am.

Nervous? In one minute I’m going to call Buzz Osborne.

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What Jimmy Page and Tony Iommi did for musicians of their generation, Buzz Osborne has done for mine. Teenage years of reading guitar magazines and music interviews of “King Buzzo” was minor preparation for the “Do’s and Don’ts” of interviewing the leader of the Melvins.

DON’T ask about Kurt Cobain. Obviously, he has said all that needs to be said about their friendship, but I had to ask about Mike Patton, frontman for Mr. Bungle, Faith No More and countless projects including Fantomas with Osborne.

DO Ask about the music; A complex and crushing sound that has inspired countless bands. Ask about their Guinness World Record attempt; touring the country, playing every state (the Pensacola show at Vinyl Music Hall was the Florida show) as well as Washington DC in 51 days.  Keeping with tradition, I also have to ask Osborne the question that triggers the answer he’s given every time he’s asked how the tour is going.

I sat down to coffee on the table and Escambia Bay outside my window. Fingers resting on the laptop, my left shoulder shivering in sync to the thoughts of “What in the hell did I get myself into?” I dialed Buzz’s number as soon as the clock hit 10:00 and said “Hello…”

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Buzz Osborne Interview

MS: Exactly one month ago, you embarked on this record breaking tour of 50 states (and Washington D.C.)in 51 days with no days off. How are you holding up?

BO: Good. We just played our 30th show last night so…so far so good. We haven’t killed ourselves.  The police haven’t caught up with us yet, so. It’s all good.

MS: What made you want to attempt this Guinness record breaking event?

BO: Mmm. Thought it would be a good idea for some reason. I don’t know exactly.

MS: I know a few years ago Mike Watt attempted it; he did 50 and he had a day off or so, but you guys are going non-stop…

BO: Yes.

MS: What’s the craziest thing you’ve seen so far?

BO: Oh god, I don’t know. Some coked up club owner who doesn’t give a shit, maybe. Nothing too crazy. We’re pretty much business out here. That’s it. We’re not having coke parties with teenagers or anything.

MS: I know Jared and Coady are playing here Saturday, how do you decide when to tour as the Melvins and when to tour as Melvins Lite?

BO: Well, the Melvins Lite thing is a new thing, so we haven’t had that be much of a problem. We plan this stuff out well in advance so we never meet any trouble. Those guys have their own thing going on which gives them an opportunity to do whatever they want to, it’s good. No bad side to it.

MS: How did you hook up with Kevin and the Electrical Guitar Company? Your model, the King Buzzo is pretty popular.

BO: We rehearsed in the same place as the guys in Isis and they have his guitars-I don’t know how they found those-they eat…they somehow got in contact with him, so I tried one of them and I thought it was amazing and I just called him up (and) that was it. That was a few years ago; I started using his guitars pretty much exclusively. It’s all good.

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MS: With your experience and your history, you’ve outlasted bands that have been influenced by you. What keeps you going?

BO: We still like a lot of stuff that we’re doing. If we don’t like it, we’ll change it. That’s pretty much it. I’m not ready to quit just yet. I don’t know when I will be. I have some plans. There’s not much we do that’s not planned out totally, every angle.

MS: Do you have anything else coming up with Mike Patton?

BO: No. We have absolutely nothing coming up with Mike Patton. The last time we played a gig with him was in 2008. The last time we were in the studio was in 2003. So it’s clear that this is not a big deal for Mike. Fortunately, I have my own things going on and if Fantomas wants to do something…but I’m not going to hold my breath.

MS: As far as now, any plans to do anymore studio work with the Melvins?

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BO: Of course, we never take too long between records. We have all kinds of things planned. None of which we can talk about now, recording-wise.

MS: What is the best advice you’ve ever been given?

BO: You mean just in general?

MS: By anybody, in life, in general.

BO: Stay out of debt. That’s the best advice, definitely. A very good piece of advice is, “Never go into business with someone who cheats on their wife.”

MS: I’ve experienced that.

BO: What was that?

MS: I’ve experienced that. That’s very true.

BO: Very true.

MS: What would Buzz of today tell a younger Buzz just starting out?

BO: “Don’t worry, everything’s going to be fine.”

MS: With the recording, the touring, the performing, what’s the coolest part of the entire Melvin’s experience for you?

BO: Well, they’re vastly different. So, I don’t know, maybe playing live. Recording, it’s such a different kind of thing. I can’t really compare the two. I really try to keep the two completely separated if at all possible. Don’t feel like they’re the same animal and all.

MS: On this tour, as far as the music how do you keep it fresh? Do you guys mix it up?

BO: What do you mean?

MS: As far as setlists.

BO: How do I keep it fresh? Well, it’s always fresh, no matter what we do. We play pretty much the same set every single night. And we have it planned out from the beginning. And people get a better show that way. Because what we do is not normal rock. We’re not playing, “Here’s a song for you, here’s another song for you.” It’s performance art from top to bottom. It’s an hour and a half performance that has little or nothing to do with what songs we’re playing. That’s it. Now, if people want to paint us with a traditional rock n’ roll brush, then they’re already losing. I don’t view us that way. So, I’m just not going to compare myself to any other bands that think along those lines. I don’t feel comfortable doing that.

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MS: Any chance that you guys could work with an orchestra?

BO: Nah. That’d be a pain in the ass. The orchestra thing, it’s all well and good, but pretty much musicians’ union hasn’t really isn’t a chance of any of that really working. I really have no time for that kind of bullshit. Dealing with that horseshit; no, thanks.

MS: Do you prefer crunchy or creamy peanut butter?

BO: I don’t even really care; it all tastes the same to me.

MS: Is there anything you’d like to add for the fans coming out in Pensacola next week?

BO: I don’t know when we’ll be back to Pensacola. So if you have any idea that you want to see us, maybe you should.

Email Q & A with Kevin Burkett of Electrical Guitar Company

Hey Kevin,

How did you hook up with Buzz, create his model and what does the Melvins music mean to you? And if you could throw in a your top 10 albums, I’d appreciate it. Thanks!

Kevin’s reply

We met through Mike Gallagher of ISIS. ISIS and Melvins practiced in the same place in LA. Mike was a huge fan and decided to go show Buzz his new metal guitar and he loved it. We basically took my Standard model and added Gibson 498T (which is the pick up that he played in all of his LPs). We have made acrylic versions and a few other models for him.

Melvins are the beginning of everything cool. Everything I love can be traced back to them. They also have stayed relevant and ahead of the curve for over 20 years. Pretty bad ass.

Top albums…not really in any order.

1.Peter Gabriel, UP
2.Nirvana, In Utero
3.That Dog, Retreat From The Sun
4. Sunny Day Real Estate, Diary
5. Shellac, At Action Park
6. Melvins, Houdini
7.Foo Fighters, Color And The Shape
8.Tegan and Sara, Sainthood
9.ISIS, Wavering Radiant
10. Hem, Funnel Cloud

Here is a link to my Pensacola News Journal column “World Record Attempt brings the Melvins to Vinyl Music Hall”.

- Michael L. Smith

 

10
Apr
13

* Hed PE @ Vinyl Music Hall. 09/29/12

It was a Saturday night of rapcore as Huntington Beach group Hed PE hit Vinyl Music Hall.

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The group, who have been with Suburban Noize Records since 2006′s “Back 2 Base X, are expected to release their latest album before the end of 2013.

- Michael L. Smith

29
Dec
12

* Supersuckers, Nik Flagstar and his Dirty Mangy Dogs, Scott Chism & The Better Half @ Vinyl Music Hall + INTERVIEW W/ EDDIE SPAGHETTI 09/17/12

Calling yourself “The Greatest Rock N’ Roll Band in the World” will get your band noticed. If you back it up for over two decades-on the road and in the studio-your band will also get respect.

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One week before the Supersuckers hit Vinyl Music Hall with Ft. Walton heroes  Nik Flagstar and his Dirty Mangy Dogs and Memphis duo Scott Chism & the Better Half opening, Eddie Spaghetti discussed their upcoming album, the artists who’ve blown his mind and how he juggles being a family man and leader of “The Greatest Rock N’ Roll Band in the World.”

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Here is a link to my Pensacola News Journal article “Supersuckers showcase ‘The Evil Powers of Rock n Roll’ and the full interview follows below.

***Eddie Spaghetti Interview***

MS: With everything you do; the touring, recording, collaborations, and meeting the fans, what gets you off the most about being Eddie Spaghetti?

ES: I guess it’s just, you know, people respond to the songs. That’s the work that we do, making up these songs, seeing people react to them, that’s always a buzz. That’s a high you can’t really get anywhere else.

MS: With all the craziness, what’s the craziest thing you’ve ever seen at one of your shows?

ES: (laughs) That’s kind of impossible to answer, I’ve seen so many crazy things happen; everything from people getting onstage and getting naked to people getting kicked in the teeth and getting knocked out at the show, I don’t know, I mean, too numerous to mention.

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MS: You’re a husband and a father, how do you make family work in this crazy business?

ES: I’ve got an awesome wife; she totally supports me doing what I do for a living, she loves the lifestyle too. I couldn’t do it without a support system like that at home. She makes it possible.

MS: I know you’ve got your solo work, but can we expect another Supersuckers album soon?

ES: Yeah, we’re trying to get one out right away. We thought we’d have it out by the end of this year, but it’s looking more like it’s going to be early next year, but we have the material, we’re just trying to work out the details and get it recorded. We’re playing a lot of the new songs live, they’ve been well received and we’re anxious to get them laid down.

MS: With all of the amazing artists you’ve worked with, which one blew your mind the most?

ES: It’s pretty mind blowing to have worked with Willie Nelson, but to be honest, the guy that’s blown my mind the most is Steve Earle. The guy’s work ethic is just phenomenal and we learned more about recording in the three days that we recorded with him than we did in our entire career up to that point.So, yeah, I’d say my mind was blown by Steve.

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MS:  What’s the best advice you’ve ever been given?

ES: That there’s no “demo” button on the recording console; it says “record” (pronounces it like the noun as opposed to the verb). It doesn’t say “demo”. It’s been good advice ever since then.

MS: What advice would you give to someone who wants to be where you are?

ES: (laughs) Have a backup plan! Have a Plan B.

MS: What would Eddie Spaghetti of today tell a younger Eddie Spaghetti just starting out?

ES: (laughs) Save some money kid, cause you’re going to need it when you get older.

MS: This is my crazy question for you; do you prefer Crunchy or creamy peanut butter?

ES: Oh, I’m a crunchy man, all the way. Super crunch, super chunk. The crunchier the better.

MS: Anything you’d like to add for the die hard fans coming out to Vinyl next week?

ES: I’d just tell people to wear their clean underwear because we’re going to rock their pants right off of them. They don’t want to be caught with their dirty joneys on.

- Michael L. Smith

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28
Dec
12

* Slippery When Wet: The Ultimate BON JOVI Tribute Band @ Vinyl Music Hall 09/14/12

One late night at Sir Richards Lounge, my friends and I encountered a gentleman. A man who-for the sake of anonymity- will be identified as “Carlos”.

Affable beyond belief, his confidence/friendliness exceeded the most polished Southern charm. Carlos bounced from bar to booth effortlessly buying drinks, shots and enthralling us with stories of life around the world. His past was written in entertainment; security guard, concierge and often protector of secrets.

When the talk made its way to music-as I always love conversations to do-Carlos drew us in with stories of concerts and rockstars. We listened as the drama of entering a secret world was impossible to resist.

Sitting around the table, the clanking of glasses had stopped, drinks went silent and cigarettes burned indifferent. We could only listen and imagine what Carlos saw.

That’s when I said it. I couldn’t avoid it. I had to ask, I had to know; what was the greatest concert he’d ever seen…in Pensacola? Not necessarily the best concert he’d ever witnessed (That would be too difficult or maybe too easy). I wanted to know who blew his mind in the city where we (or at least I) grew up.

I asked if I could interview him for an upcoming article. Carlos smiled, said “Yes” nodded and then started his story.

“The best concert I ever heard was Conway Twitty. And here’s why.” Carlos paused while the silence prompted his cue. (WARNING: slippery, rough language ahead)

“When the lights went out and the curtain dropped, his band came out and they were playing some kickin’ fuckin’ jazz! I mean jazz, real jazz. It wasn’t this bullshit that people play. It was real jazz and the drummer was looking at his baby that he picked out right before the stage and had her sitting down in the third row and he would take a stick and point it right at her while he was playing and he never missed a beat.” Carlos beat the table in rhythm.

“So then Conway Twitty came out, everybody was screaming-they’re still playing this jazz-so Conway Twitty grabs the microphone.” Carlos paused, “He goes up to a woman in the front row who was giving him roses and the band stops. BOOM! He looks down at this woman giving flowers and he goes,‘Hello, Darling…been a long time since I seen you!’ and the crowd went wild. The band starts playing after him. Panties were flying everywhere, man!  And after that, it was just over. And that’s why that was the best concert I’ve ever seen in Pensacola. Because he fucking blew it out. He had the crowd like this in his hand.” Carlos opened his hand and then squeezed a fist.

“He could do whatever the fuck he wanted to do with the crowd at that point. This was 1999. He died shortly after that but, I mean, I’ve seen a bunch of concerts here, because I was working at the Civic Center as the security guy, here’s and interesting story…” Ever the storyteller, Carlos dropped the slightest pause and continued,

“Bon Jovi comes out and they’re playing at the Civic Center right. The first band comes out which is…I forget the name of the band, but it’s a guy that was…he was always talking about how great he was and he was a big singer and shit..i forget his name, but they were opening for them, right, so Bon Jovi-all these women are offering sex just to get backstage, their offering all this to get back and see Bon Jovi right, so Bon Jovi comes out to see the first band and he’s right next to me, I mean he’s standing right next to me, looking at the band and nobody notices him. All these women that are offering sex and their first babies and all this, he’s standing right there and nobody notices. He’s checking out the first act, man. And he sat there for maybe 20 minutes, nobody fucking notices him, they thought he was a stage hand or something , then he goes backstage to get ready for his show and these women are like I’ll give you a (I’ll leave this entertaining, but very graphic part of what Carlos said to your imagination) . It was crazy and there were women plastered up to the front and they were passing out and we had to grab them and pull them out of the crowd because they were falling and the crowd was just everywhere and then we’d have to take them backstage and the EMT were back there doing whatever they do and they’d let them out the back and they’d come back around and they’d let them go into the Civic Center.” Carlos stopped to smile and continued.

“It was crazy man. After the concert there were no seats, so people crowded in. After the concert, it looked like a fucking warzone in there. There were shoes, panty hose there was shit everywhere it was like somebody came in and had a war and then they left. It was crazy!”

The stories continued, but eventually closing time came to end it all. As I tucked the recorder in my pocket and drove home, I imagined a morning of typing, listening and laughing.

“Expect to spend four hours transcribing for every hour of the interview” The golden rule that will measure my morning, but every second will be worth it when I finally see Carlos’ story in print.

By noon, the conversation was typed and ready for research. Although I have never seen Bon Jovi in concert, I grew up watching the man and his band take over the world. As a child, I remembered the excitement of Bon Jovi coming to town, but I had to check the date to be sure…

February 4, 1989, Bon Jovi played the Pensacola Civic Center as part of their New Jersey Syndicate Tour. Sandwiched between Baton Rouge and Tallahassee, Bon Jovi played Pensacola, Florida.

I laughed when I discovered the name of the opening act. None other than Skid Row, led by the most vocal of vocalists, Sebastian Bach.

As for Conway Twitty, I searched for hours. Conway Twitty died on June 5th, 1993 and I could not find any evidence of the Mississippi born musician’s concert in Pensacola.

It would make since that Twitty performed in the area during his career because of his friendship with legendary country musician/producer Larry Butler who was born in Pensacola.

I want to believe that the country superstar performed that amazing Civic Center show that Carlos described, but without evidence, I am not going to take that gamble.

So Carlos’ story will stay here. And until Bon Jovi returns to Pensacola, I’ll have the memory of seeing the Ultimate Bon Jovi Tribute band Slippery When Wet playing Vinyl Music Hall.

There were no panties flying or people passing out, but the band put on a hell of a show. And in 2007-according to their website-they were even endorsed by Jon Bon Jovi as the official Bon Jovi Tribute band.

-Michael L. Smith

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27
Dec
12

* Strung Out, The Swellers @ Vinyl Music Hall + INTERVIEW W/ JASON CRUZ 09/11/12

“If you stay ready, you don’t have to get ready.” – Jason Cruz of Strung Out

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Jason Cruz was either confident or crazy. Turning his back on school and a scholarship, Cruz rolled the dice on a dream. Strung Out was the gamble that became the education of a lifetime.

Nearly a year after their “lights out” show at Vinyl Music Hall as supporting act for Face to Face, Strung Out returned to town as headliners of their tour with The Swellers. One week before their show, Cruz talked about his art, his music and his life with Strung Out for the Pensacola News Journal’s weekly music column Music Matters.

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Here is a link to the article “Strung Out’s Cruz is still living the dream” and the full interview follows below.

***Jason Cruz interview***

MS: How is the new album coming along?

JC: The new Strung Out record?

MS: Yes.

JC: We haven’t even…I think we’re all just going to go home. I think that’s the reason the intensity of this tour is so we can hit it hard and then be done with it and get home and then concentrate on what the next records going to be like.

MS: You’ve got your solo work too. Do you have any material coming out from that?

JC: Yeah, I’m going to do that when I get home too. I have my little thing for sure.

MS: Man, Jason you’re a busy man.

JC: That’s what we do, you know. What else is there? There’s music and there’s family; not necessarily in that order, but that’s life.

MS: You give so much in your shows, is it overwhelming sometimes? Your shows are pretty intense. How do you juggle it all?

JC: I’m not a doctor, I’m not a paramedic or a cop or a somebody…it’s rock n’ roll, man. It’s an incredible opportunity to just be able to do it for this long and I just appreciate the fact that I get to do it. I know they’re a lot of people out there that have it a lot harder than me, so I try to think about that.

MS: When did you know that this is what you wanted to do?

JC: I can probably remember the exact moment that I wanted to make music and art my life. I dropped out of high school to do this; to get on a plane and travel the world. I had a scholarship that I bailed on because I knew that what I really wanted to do wasn’t anything that could be taught in school. I’m still learning every day, man. Every day of my life, I try really hard.

MS: With everything you do; your art, your life, family, touring, recording, what’s the coolest part of this entire ride for you?

JC: Like I said, it’s funny. I want to pass on all of the beautiful things that I’ve learned. The experiences that will lead her. For as long, hopefully…I don’t know how much longer it can go on, but I’m surrounded with art and music and that’s my life and that’s her life right now and I really am proud of that.

MS: The last time I saw you in Pensacola, things got wild, lights went black, something happened with security; what’s the craziest thing you’ve seen at one of your shows?

JC: Oh man, Jesus! I don’t know. I think every night there’s something fucking crazy. It’s hard to think of right now. I have to think about that; there’s so many things that are competing in my mind right now. Mostly its…one of my favorite things is watching kids sing the words, especially when they don’t really know the words (laughs). I’ve seen some broken necks, I’ve seen some great fights, I’ve seen people get stabbed, I’ve seen fights on stage, a kid got electrocuted on stage really bad, that was really fucking crazy. I’ve had a drummer fall off stage because he was having a nervous breakdown.  Shrooming onstage and having a bad trip in the middle of a show and running away in the middle of a show.

MS: You survived all this, what would you tell someone that wants to do this? What would you tell someone who wants to be where you are?

JC: I say start young and have nothing to absolutely lose. With this kind of life you have to start out young and dive into it 100% and hopefully you’ll get lucky. I got lucky in the fact that I still get to do this and I don’t take it for granted for a second. You just got to do it and give it an honest go with everything you got and at least you can say that you did it. You can’t have one foot in a safe placeand try to…it’s not going to work.

MS: On that same note, what advice would Jason Cruz of today tell a younger Jason Cruz just starting out?

JC: Oh my God! Become an architect. (laughs)

MS: Crazy question. Crunchy or creamy peanut butter? What do you prefer?

JC: Crunchy.

MS: What’s the best advice you’ve ever been given?

JC: If you stay ready, you don’t have to get ready.

MS: Is there anything you want to add for the die hard fans that are coming out Sept. 11 to Vinyl Music Hall in Pensacola, Florida?

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JC: Expect a really long show and don’t get too buzzed too quick; pace yourself throughout the course of the night. It’s going to be a really long show. And we look forward to you guys coming out and it’s going to be good.

MS: I’ll be there. I’m looking forward to it. The last time I saw you, I got in the pit while you guys were playing and a dude hit me in the back of the head and knocked my glasses off, but it was worth it.

JC: Well, we’ll see what we can do for you this time.

- Michael L. Smith

26
Dec
12

* OTEP, Butcher Babies @ Vinyl Music Hall + INTERVIEW W/ OTEP SHAMAYA 09/02/12

It’s easy to feel like the victim instead of a survivor. If you’ve survived it, then that’s exactly what you are, a survivor.” – Otep Shamaya

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It is another step in the mission of Otep Shamaya, artist, activist and leader of OTEP. A mission characterized by impact more than goals.

You would be lost trying to describe OTEP; empowering, crushing, rap, protective, metal, healing. The person, the artist the band are drawn together symbiotically. The best way (I have found) to understand the music and message is to listen and feel.

One week before the OTEP, Butcher Babes, One Eyed Doll and Arcanium tour hit Vinyl Music Hall in September Otep Shamaya discussed her art, life, and more for my weekly music column in the Pensacola News Journal.

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Here is a link to the article “OTEP brings passionate metal to Vinyl Music Hall” and the full interview follows below.

Shamaya wants to inspire those who share her struggle.

MS: With the recording, touring, live shows, and activism, what is the most rewarding part about being Otep?

OS: Having the opportunity to be able to do all those things. My devotion to a work ethic that enables me to be able to do all of the different things that you mentioned. I don’t know…rewarding in the fact that I think that I’ve been able to, through music, find people that were like me before I released an album, before I ever became a performer.

OS:  I didn’t know a lot of people that felt the way that I did or thought the way that I did or had the same interests that I do. Through music, art, and activism, I’ve been able to connect to a very large nation of people that globally have the same intention.

MS: Did you always want to do music or art? Was that something from your childhood or did you develop that later on?

OS: Art, yes. I didn’t know that I was going to get into music until much later. The first thing that I discovered, well I don’t remember discovering it, because it happened well before I could speak, but my mother tells me that I was just obsessed with drawing and anything that made a mark or a color, I wanted my hands around it; I was drawing on the walls, on my shoes, on bills, on tables, on countertops, whatever I could.

MS: Some people are always told, “Being a jack of all trades” you’ve got to be one thing or the other, when did you realize that you could do it all?

OS: I’m not sure that I can. I’m just following my…I think it’s important to know at what point it’s important to aim those energies in which direction is the best way to say it because there are times I need to devote more of my energy to music and there’s time when I need to devote more of my energy to activism, but I don’t mind that it takes too much of my day. What else is there? It takes maybe one percent more energy to care about something than it is to ignore it.

MS: Does this all get overwhelming for you?

OS: Well, I mean sometimes, with everybody, you know, the world seems so unjust and it seems so unfair and sometimes unbelievable, for us right now with what’s going on with the conservative politician, Todd Aiken, who said that a woman’s body can shut down and illegitimate rape, unbelievable that a grown man of that age and position who has children and grandchildren I believe, doesn’t understand how human biology works that a woman’s body can basically abort a baby that is derived from rape. It’s just an unbelievable statement, but some people might believe that he’s just stupid or he’s just dumb, he misspoke, which is…that’s an obvious lie because you don’t misspeak about something like that, it’s because the eventuality of that, if you follow that logic that a woman can shut down, an illegitimate rape, means that if she was pregnant, then her body knew that the rape was legitimate and that she deserved it or that she wanted it and so there’s no need to have an abortion because basically the Republican Party is lying when abortion should be illegal accept in cases of rape or incest. Well now they’ve added on this requirement that, “Well the women’s body has to decide whether the rape was legitimate or not. And if it was legitimate, no abortion can be had because she got pregnant by it. It’s an unbelievable nonsense, but this is how propaganda spreads. The bigger the lie, I suppose or how preposterous it is, makes it more believable to some people.

MS: I was going to ask you about that, Senator Akin too, but you tackled it perfectly. When I heard his statement, I was just, “Wow. Unbelievable.”

OS: It has to be like, everybody, even if you are not…even if you’re conservative, or libertarian or even if you just don’t care about those kinds of things, you have to look at that guy and go…he’s a prime example of why we need to fund health and sciences and biology in schools and make it fun so that kids understand how our bodies, the things that we’re trapped in our entire lives work. It’s unbelievable, but this is a time like this if you need a…there’s no extra energy that needs to be gathered, it’s like someone walking up to you and “The sky is red.”

MS: I saw your last show at Vinyl and I was blown away by the empowerment, who or what inspired your activism and empowerment?

OS: I don’t know. I guess, I grew up really poor and I was surrounded by people that were born to money and they were born into privilege and they were not better than my family, they weren’t smarter than my family, they weren’t smarter than I was, they didn’t have the talents that my family had, that I had. But just because of the luck of their birth, they had more access to the world than we did. They had more access to health care, they didn’t have to sit 18 hours in a community hospital because it’s so underfunded that it’s understaffed and with volunteer doctors who just care about people. I knew that I was stronger physically than a lot of these people. And a lot of them were boys, so that was a lie that was tossed out of my mind that women are socialized to believe that we’re inferior and that we should, that we’re destined to be subservient to men, so I was stronger than they were, I could outrun them, I could outfight them, I could out lift them. Artistically, I was, it would come to me to have them draw pictures for their friends or their mother; they couldn’t do what I could do. Then growing up in this world of poverty and violence in the house, I didn’t want anybody else to grow up to feel the way that I felt, so I really put my mind to it that if I was ever in a position that I could help someone like me, I would and so I’ve dedicated myself to do that.

MS: I have a friend who grew up in an abusive family with his father and he said that hearing your music helps him.

OS: Music is universal, I don’t think that it’s genderized and I appreciate that I’m able to reach all people. I think that it’s important that people realize that this it’s a very common thing. It’s easy to feel like the victim instead of a survivor. If you’ve survived it, then that’s exactly what you are, a survivor.

MS: This tour, what can your diehard fans expect from this tour?

OS: They can expect what we always give them. A complete and total mutiny of the senses.

MS: What is the best advice you’ve ever been given?

OS: That’s a good question because I’ve been given a lot of good advice over the years. One of them is “Love myself first.” And that doesn’t mean to be self-centered or egotistic, it means that I deserve to love myself. Another piece of advice was, “Never give up.” And if I were passionate about something, “Go after it.” Life is so very short and there all the things people say, “It’s finite”, “Life is short, be happy” but true, we’re dead-I think Lewis C.K. said that “We’re dead a lot longer than we are alive.” One of my favorite periods of ancient history is the ancient dynasty of ancient Egypt and I can read all about the magnificence of that empire and the people, those wonderfully interesting people that lived during that time; complex and strange and barbaric and beautiful they were and an entire civilization devoted to art. Their language was art, there writing, their language was pictures. But all those people are dust, every single one of them and they’ve been dust a lot longer than they were alive, so I think it’s important that we don’t get to caught up in things that don’t truly matter and focus on being as happy as we can, while we can.

MS: Almost on that same page, what would Otep of today tell a younger Otep just starting out?

OS: Starting out in life or music?

MS: Wow. That’s a good question. I guess music.

OS: In music, I would tell myself to remember that art is art and music is music and the business of art and music is the business of art and music. And to remember that.

MS: What about life?

OS: Life, I would tell myself, I’d give myself a hug and I wouldn’t say anything, I would just listen to me. I really don’t get a lot of that. You don’t get a lot of people who listen to you. They give you advice, they’ll tell you what you should do or shouldn’t do. And so very few people actually listen to what you have to say. I would listen first. I would listen to what was going on with me and what I was feeling and I what I wanted to communicate and I think I’d probably discover my own answer.

MS: This is a crazy question. Do you prefer crunchy or creamy peanut butter?

OS: Neither. I prefer Nutella. Not many people know about Nutella. Its hazelnut, basically it’s like peanut butter, but it’s made out of hazelnuts and it tastes like chocolate and it’s incredible.

MS: I have some friends that eat it alone. Do you put it on bread or just eat it by itself?

OS: Yep. That’s right.

MS: Making me hungry.

OS: I know it, I know it.

MS: Last question. Is there anything you want the fans or the people coming out or the readers of this article to know before you come to Pensacola, Florida next week?

OS: I would just like to thank them for supporting the arts and supporting live music and they’ve made my life’s journey so very gratifying.

- Michael L. Smith

18
Dec
12

* 80′s PROM: Jukebox Superhero, The Exploding Boys (Deadly Fists of Kung Fu Tribute to The Cure) + INTERVIEW W/ ZAC HOBBS & JASON HURT 08/24/12

Its prom night and the headlining bands aren’t going to play?

The statement on Vinyl Music Hall’s website said it all;

“Unfortunately, due to illness, the Ultimate 80’s Tour featuring Bow Wow, Gene Loves Jezebel and Missing Persons’ Dale Bozzio has been cancelled…”

As Ray Parker Jr. inquired…“Who you gonna’ call?”

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Your best bet is to call the Deadly Fists of Kung Fu and Jukebox Superhero to save the day, and that’s exactly what the Downtown Pensacola venue did. Vinyl made it a free show and the prom went on as scheduled with all of the entertainment previously promised (minus the touring acts that cancelled)

Months before they played DeLuna Fest 2012, the Deadly Fists of Kung Fu revived their popular role as “The Exploding Boys: A Tribute to the Cure” to add even more nostalgia to the event and Jukebox Superhero played a set full of 80′s hits.

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DFKF frontman Zac Hobbs and guitarist Jason Hurt stayed still just long enough to discuss DeLuna Fest and their part in the 80’s Prom for the Pensacola News Journal. (Here is a link to the PNJ article and the 80’s prom portion of the interview with a little word association follows below).

 

Deadly Fists of Kung Fu Interview

 

MS: Let me change the subject a little (We were discussing DeLuna Fest and superhero movies up to this point). Next week, you’re playing the 80’s Prom at Vinyl. Why did you decide to bring back The Exploding Boys? You’ve done a lot of tributes before, but why The Exploding Boys again?

ZH: We’ve always been real big Cure fans and it’s really easy. It’s very easy. It’s just kind of our briar patch. Somehow, three months turned into really short notice for us and so we got short notice that we were doing this show and so we’re like “Hey! We’ll do a Cure thing.” We can do that.

MS: Will you dress up for this set? You didn’t dress up last time for The Exploding Boys.

ZH: In my old age, I’ve become too fat and I’m afraid that I’ll bear too much resemblance to Robert Smith.

JH: Robert Smith is chubby!

ZH: It’s too convincing these days.

MS: No dressing up. What about…are you going to have (Brandon)Clarkson on keyboards or is it going to be the same lineup?

ZH: No, it will also be DFKF Prime, not Deluxe. When we have the “Human Baby” on keys it is in DFKF Deluxe of DFKF DLX. It’s a lot like KMFDM.

MS: To close it out, I want to play a little word association with you. I’ll say a word or a phrase, so just tell me what you feel, what you think….Deadly Fists of Kung Fu.

ZH: Taller.

JH: Taller?

ZH: We’re all taller except for you.

JH: No, I wish I was taller.

ZH: That makes a lot of sense.

MS: Pensacola, Florida.

ZH: You can’t say taller again.

JH: Actually, my first thought was “Broken-in shoes.”

ZH: Comfy couch.

JH: It’s got that big ol’ butt dip right…

ZH: It sure does. It’s got the remote for the TV that doesn’t work anymore.

MS: And the last one…DeLuna Fest.

JH: Kick Ass! Guided by Voices!

ZH: Bob Mould!

JH: Bob Mould!

ZH: Superchunk!

JH: At this point, I don’t even care that we’re playing. I just want to see Bob Mould.

ZH: Yeah, I’m pretty sure we get in for free now (laughs). That’s pretty exciting.

MS: Is there anything you want the readers to know about DeLuna or 80’s Prom?

JH: Come see us at both of those shows!

ZH:  Yes.

JH: We’ll rock at one and we will rock even more at the other.

ZH:  But we’re not going to tell you which.

- Michael L. Smith




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